It came out after playing with the movie

Alessandro 2022-03-16 09:01:02

North-northwest

Pick a bar, order a drink, wear headphones, and write about the feelings of this movie. I deeply feel that the moment Hitchcock took the bus in the movie, he experienced that kind of ecstasy and added an embellishment to his movie. And just right. I don't know how many people watch Hitchcock and pay attention to when he appears, anyway I am one of them.

Back to the topic, Hitchcock is undoubtedly a master of suspense, layer by layer, playing with the audience amidst applause, and still humorous in the process of changing suspense. At the beginning, the suspense was Kipling. After the audience knew that Kipling was fabricated, the suspense was when Roger discovered Kipling’s identity, which pulled out a secondary line of love. The director deliberately let us know that this girl was deliberately approaching Roger. After so many movies, the routine must eventually be happy ending, which leads to another suspenseful girl who wants to get close to Roger. From the back handing a note, it can be seen that the heroine is a villain. This is the suspense that has shifted from when Roger discovered Kipling's identity to how Roger discovered that the heroine wanted to hurt herself and escape danger. In the process, there were "classic" airplanes and cornfield scenes. Regardless of where the classics were, it reminded me of various scenes in 007 that used complex killing methods and finally collapsed. In the end, the hero successfully escaped through the protagonist's halo, and the CIA boss appeared. As a result, two suspense simultaneously revealed what Roger wanted to do when Roger found out who was the Kipling girl and approached Roger. In the end, the heroes who return to the old routine of romantic films save the beauty. Of course, the process of saving the beauty is infinitely exaggerated in the essence of commercial films. At this time, the logic is not important. How to stimulate and how powerful is important. At the end of the film, Roger took the heroine's hand on the cliff, and turned to pull the heroine to the sleeping berth, the train went into the hole, happy ending

, So far, a wonderful suspense, business and romance film is over.

I like this kind of film. When I feel that the ending can be guessed, I also set up many routines to "play" the audience over and over again. With the humor and subtle expression during the period, I am willing to let go of my vigilance and follow the director. Rhythm finished watching the film. Thinking of the "Cheat in Cheat" I had seen before, I almost laughed out of a sip of wine.

The reason why old movies look good is just like the better and better taste of old wine, the glory and excitement of the old time, the hardship and helplessness of the time, and today’s movies stand on the shoulders of giants, there are no shortage of masterpieces. But still can't escape the shadow of the year.

Imagine Hitchcock's expression from the audience’s perspective when he saw his huge body unable to squeeze into the bus. Perhaps he understood his reaction from the director’s perspective to see the audience’s reaction. At that time, we had a wonderful game and we had a lot of hardships. .

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Extended Reading

North by Northwest quotes

  • Roger Thornhill: Then, then your name isn't Kaplan?

    Man at Prairie Crossing: Can't say it is, 'cause it ain't.

  • Roger Thornhill: Well, didn't you hear what I said? I want to be taken to police headquarters. I'm a dangerous assassin, I'm a mad killer on the loose!

    Sergeant Flamm - Chicago Policeman: You ought to be ashamed of yourself.