This is a relatively special part of Quentin. He is good at perceptual and chose a rational, complex and meticulous story. Although the perceptual style is still blessed, the characters in the story are too complicated and it is confusing. It's also more procrastinated behind.
The biggest difference between Quentin and "Ambush on All Sides": 1. The plot is buried with features such as tuberculosis music, and the plot development is completed in casual talk and laughter. 2. Just be neat, damn it, just like a passerby, never fall into an emotional trap.
Every frame of Quentin's shots is carefully designed, and there are no waste films. This is the reason why his films have become classic collections.
If you fall into the threatening plot of traditional bad vulgarity, use split screen to attract the audience's attention and increase the freshness.
It is full of all kinds of interesting narrative techniques, which is very different from the past storytelling.
Not necessarily a story, a combination of several creative stories.
Actors don't make stunning appearances in movies, but generally appear, and then they become more and more beautiful.
The overlapping time of the same thing from multiple perspectives is reminiscent of "Elephant".
The unexpected shooting and killing occurred in the second half, and the sudden death after the completion of the character creation has the deterrent effect.
As the character's mood changes, the hairstyle changes accordingly.
notes:
Quentin replayed the climax from different perspectives of different characters, with unique ingenuity, which became the finishing touch of the film.
The most original Quentin taste, exquisite script structure, public personality, and refined dialogue.
Gu left and right, he suddenly cut to the subject after a bunch of nonsense.
It is a master in the bridge segment of "sudden accident happened".
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