I really missed Jane Austen.
When I was in middle school, I liked to read famous novels, and I even knew a little about "The Son and the Lover" and "The Sound and the Fury", but "Sense and Sensibility" and "Pride and Prejudice" were more difficult to read than the tutorial books. The influence of the rebellious period may have a subtle influence on the United Kingdom. Gentlemen and ladies have innate resistance and contempt, so they will be dismissive of the arrogance and vanity depicted between the lines. Frankly speaking, the splendor and splendor are not comparable to the Grand View Garden, and the noble temperament is polluted by the rustic and vulgar, how can it compare to Cao Xueqin's wonderful brushwork? Swallowing the dates reluctantly to the end, I even gave the book to the female classmate.
A high school girl was admitted to the Chinese Department of CUHK, and she was full of praise for Jane Austen when they met. Half of it was to maintain the halo of Wenqing, and the other half was to please the girl, so she bought a new translation and reread it, but she still only read half of it. Hastily withdrawing troops, I really can't compliment the traditional pretense of the British land, and the heroine's independent and self-improvement character is not flattering. The prejudice that has been hibernated for many years has awakened, and she will continue to sleep after eating and storing enough nutrients. After that, she has never seen her again.
If it wasn't for this year's Golden Strawberry Year 2005, I'm afraid I wouldn't be interested in watching "Pride and Prejudice" for the rest of my life. With Joe Wright's textbook-like photography, scheduling, editing, and composition, I am afraid that Jane Austen's die-hard fans can't be more picky about images, especially the classical British temperament and rural atmosphere, and only Polands is in memory. Key's "Tess" is comparable. It's a pity that I still can't get Jane Austen's charm, just like I can't get Knightley's beauty, too loud sisters and snobbish mothers, simple and rude prom blind dates, if a word disagrees, the whole family rushes to the kitchen and waits for the baron to talk to the poor. The scene of the female proposal was replaced with a local drama where the suona shook Liu Guanzhang, oops, and Lu Bu. The European-style castle was replaced by a landlord's courtyard with red lanterns hanging high. The old man Mo Yan came to a loess high-slope version of "Pride and Prejudice", full of breasts and fat. The butt is definitely more moving than the original.
Conventional love is common in ancient and modern China and abroad, and the earthy taste is still aristocratic. Knowing that in the rain, the male protagonist reveals his heart, wants to kiss and then turns away. The sultry and restrained gentleman's style is really worrying. It is still Zhang Yimou who shows his tendon and flesh to take Gong Li. Carrying into the sorghum forest makes the blood tense, but this scene begins to be a little joyful. In love, the time when you advance and I retreat is actually the most charming. In the end, you have to scold Judi Dench for showing that the rebellion was justified and flew up the branches. It is a small matter of becoming a phoenix, and the working class counteracts the blood of the nobles. It is no wonder that Jane Austen is so famous in England. Even so, "Pride and Prejudice" is only barely qualified.
The acting skills of McFadden and Mr. Woods are really worrying. One seems to be troubled by constipation all day long, and the other shows a demented smile when he sees people. However, nobles like close relatives, and Joe Wright may just be well-intentioned. .
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