This article is 1000 words. Offensive.
His mouth drops open slightly, but he recovers quickly. "I don't make love, I mindfuck...hard."
Nolan is such an overlord in the eyes of most people. However, what he actually did was to present his special playroom to the audience. What the contract requires is that the audience take a more focused attitude than watching ordinary commercial films, and honestly immerse themselves in the first two hours of the screen. If you are still reading the little red book and watching movies like my sisters in the front row, then you must be willing to put in the arms of the public account.
"Creed", like the directors' past movies, is not as puzzling as the official account rendering, the fifty-degree orchid that is in the audience's mind is just a marketing concept. Just as qualified adults don’t say to little girls that “girls are not good at maths by nature”, qualified media and film critics should not gaslighting to suggest readers “hey you don’t understand this movie! Come and see the most complete in our history. X 4D creed analysis".
The film has left enough details to clarify some doubts: Neal's red lanyard, red and blue logo (blue and red squares have appeared next to the door of the Freeport Conversion Room), and breathing mask to distinguish between forward and backward times, and so on. It can be understood at least 70% to 80% after reading it, and the remaining problems can be completely solved by the second brush. Even if you don't fully understand it, it doesn't constitute an obstacle. Nolan has even used the character to call out-you don't need to understand, just feel.
This feeling is the excitement you feel when you watch a suspenseful action movie/spy movie (such as 007) for the first time. It has been absent in commercial films for too long, and the director tried to use new settings and puzzles to get the audience to use their brains to achieve a completely immersive effect. Success varies from person to person.
This kind of stimulus is more pure and single than ever, so some people pointed out that the director has lost even a little bit of humanity. This time it is completely mechanical control. This judgment is correct. The essence of "Creed" is a little boy's self-made toy . This little boy's hobbies end up from one end-time, narrative, sacrifice, lies, and love that is easily overlooked because of its complicated plot. It runs through from the beginning of "Follow" to the present. "Creed" is the spiritual sequel of Inception, a heist film. The themes and tricks originate from the star piercing, saving mankind, and being saved by the future self. The technique comes from memory fragments, but Memento relies on hard editing to complete the "clamp shape", and the film relies on the installation.
However, Inception, Star Cross, and memory fragments all have emotional threads, and the core of the film is the story of human beings. The protagonist of the film does not even have a name, just the protagonist (protagonist), as if he is a blank person manipulated by the player and can be substituted for himself, and the division of labor of the other characters is also very clear, and the whole staff is tool-like; the monotonous main line of salvation Make the movie look more like a stand-alone campaign for video games. You know that everyone will pay more attention to the live service multiplayer online update package under the reverse time setting. It is like the audience is only busy solving problems, and there will be no more after watching the official account. The female mainline is like a director’s response to past criticisms-a point shared by my neighbors is that whether it’s adopting a black protagonist, a new soundtrack, or strengthening the female lead role, the director is consciously making something Change-although the effect seems to be mediocre, it is worthy of recognition. We can also realize more clearly that he is really not good at shooting women's stories.
Of course, if you regard Neal’s arrow to the male protagonist as the main line of emotion, I think it’s quite okay. Nolan's passive skill is to film men and women with a cold feeling like Beta. When filming male and female scenes, he has no intention of inserting willows into the willows. The thoughts are extremely sweet, and then he thinks of extreme abuse. This is his normal play.
For directors like Nolan, it is reasonable to have high expectations and high demands, so I can understand the criticism of this film somewhat. Creed belongs to his private playroom. It is a high-end toy he made with more and more mature techniques for more than 30 years. It is a secret box that outsiders need to think about before pressing a hidden switch to open. The contents of the box may not satisfy you, you may even Think there is nothing in the box. But it is undeniable that it does have the imagination and originality that is scarce today. The reverse-time perspective has created weird spectacles. The action scheduling can be called the pinnacle of his career. Several heists are especially high-end and solid. I thought there was no heist. It can brighten up my eyes.
But it is just a toy after all. And you would hope that Nolan, a writer and director who is logically rigorous, creative, daring, good taste, and able to let all kinds of audiences stare at the screen, should not just be satisfied with filming 007.
Did not say 007 is embarrassed. But anyone can shoot 007, but Nolan can do it in Dunkirk.
ps.
So Nolan's sexual orientation is really Batman.
One brother is disgusted by men all over the world during the twilight period, and post-tenet all of them.
Sailing boats brought tears to the poor.
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