The first is that the visual expression of the concept is extremely unimaginative. The performance of reverse time and reverse narration is limited to the visual tension of two sets of reference objects in different time dimensions in the fast camera movement. This is divided into the forward group and the reverse at the climax. The battle scene of the group reached a climax with Nolan’s cross-editing, but it may be due to the complexity of the scene scheduling of the film or the simplified visual design elements of the forward and reverse to prevent logical loopholes, and almost no enemy shots appeared, so two waves of people gave People feel that they are setting off firecrackers collectively. Although the lens dizziness and visual encroachment have been achieved, it is very strange to think about it.
Secondly, the conceptual design itself is too simple. If the reverse time is established, it involves the counterfactual conditions and anti-causal rules of the entire sensible world, and it involves the subversion of the linear assumption of the entire existing metric time vector. How can it be only inverted? That's it, no matter whether he quotes the single-electron universe hypothesis or the multi-world interpretation like a folk science, even the perspective of science fiction is poor in imagination. In addition to being suitable for some superior people to brush up a wave of superiority, it is worthless.
The only humanistic content in the film is the love, hatred and hatred between a man who controls a mad house violent criminal and a woman, but the conflict in this drama is extremely levelless, and then at the end the question is forced to be the brotherhood of the male two to the male one and a little bit about beliefs. Chicken soup. Debicci takes a persecuted woman who is desperate for her married life with an obsession with revenge, and turns out to be Xianglin's wife, which can be called a disaster acting. The whole performance of the villain can be called the incompetent rage after impotence. In the end, the obscure love for the heroine that seems to be unrepresented is not foreshadowed in the whole character creation. The only commendable thing about this film is that the untalented screenwriter is willing to work hard to fill in every hole, and that's it.
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