We no longer discuss the issue of human nature here, and no longer discuss the issue of Fukasaku Shinji's violent aesthetics. Rewatching the movie is because there are many "familiar faces" in it - Fujiwara Ryuya, Shibasaki Yukio, Kuriyama Chiaki, Tsukamoto Takahisa, Ando Masanobu... The girl who impressed me the most at that time was Shibasaki Yukio, because of her beautiful legs, A beautiful bad woman. But this time I was more concerned about her inner monologue - I just didn't want to sit still. Suddenly, before my eyes, she seemed to be a poor girl cornered again. Needless to say, Kitano Takeshi's natural performance as always makes people suspect that this is his nature|||.
In fact, what I want to see most is Masanobu Ando. I didn't know who he was at the time, but I just thought that the handsome boy named Tongshan was extremely cruel. When I now know that it is Ando Masanobu, I can't help but look at it again. In my impression, Ando, who is so quiet and melancholy, can have such sharp eyes. He didn't make many appearances. He didn't have a single line from beginning to end. Most of the time he was shooting with guns. He occasionally showed a chilling expression during the roar of gunfire, and instinctively showed an excited smile in the cruel competitive game. A very oppressive and dangerous person. However, my eyes still couldn't take my eyes off that wicked face, I thought I was completely finished, and I was always tempted by the charming villain. What protagonist, what justice, has long been wiped out in my mind. Perhaps it is because Ando gave me the impression that he was always peaceful and gentle like a piece of jade, so that wanton arrogance was even more fascinating. Kiriyama is like a lonely dying flower blooming blood red at the last moment.
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