Can't screenwriters use their brains to work on the script seriously?
This drama is really full of grooves. It should have been the last episode of the climax. I just drove it at twice the speed before it finished. The screenwriter really let go of themselves in the last episode, as if they were a silly hanker. Malcolm, Tommy, who can win the 100 million lottery at the time of his appearance, has the old-fashioned bomb disposal plot, I have no fluctuations in my heart and even want to laugh a little. Maybe I feel that I can't make up anymore, and I can finally end this mess.
I only watched the first season and talked about some of the things I couldn’t help but complain about after watching the first season.
Let me talk about the role of Green Arrow. To be honest, this image can also be a superhero. All I see is a person who has a lot of holes in his personality and abilities, and has a protagonist's halo, who can only fight a little bit better than the average person.
1. Green Arrow has stood on the opposite side of the law. On the surface, it says that you want to save people, to maintain justice, and to correct Helena's wrongdoing of killing people. Then your approach is to get fat and beat the head, piggybacking all the bodyguards he hired? excuse me?? Does Green Arrow have a misunderstanding of human life? The life of others is life, the life of people in slums is also life, the life of those who lead the offense is also life, and the life of bodyguards and younger brothers is not life? I think Officer Lance viewed it objectively, "Since he appeared, 24 lives have been sent in." His hands are stained with blood! This Green Arrow’s persona has collapsed, okay? Screenwriter, if you don't want to use your brain, you can put a drug on those arrows or get confused. Not killing is always the first principle, and Batman can be a vigilante if he doesn't kill. No matter how Green Arrow maintains the so-called justice, he is a total murderer.
2. Green Arrow is too sloppy in recruiting teams. The first member, Digel, was just an ordinary bodyguard that was recruited, and there was nothing outstanding. Throughout the story, the reason why Green Arrow recruited Digger seems to be just that he looked at Digger very pleasing to the eye. Why didn't you recruit so many people in the special general army? The second member, IT girl, would you just show all confidential information to a company employee so easily? At any rate, please inquire, in case she is a commercial spy sent by Merlin, brother dei.
3. The confidentiality of Green Arrow's identity is too crude. This is only the first season, and the identity of the Green Arrow is already known by the main characters around him. Besides, can I wear a mask when I go out to do errands? Isn't it tiring to apply oil every day? This way people won’t recognize it. I can only say that I went to Star City to open an optical shop and estimated that I was worth the same as the Quinn family.
4. The ability and influence of Green Arrow are not matched. At present, only according to the memories of the first season, Green Arrow is just a rich second generation who has stayed on the island for five years. Shaduo and Australian intelligence agents do not seem to be the country's top masters. As their apprentices, except for Malcolm, they can walk sideways in Star City. Is it a bit too much? In addition, Green Arrow, who has been on the island for five years, has a bit of effort and physical strength to understand, but how did he understand computers after five years of home? Before the IT girl appeared, he knew how to hack into someone else's computer? Is there a computer on the island for you to play?
Let’s talk about the screenwriter’s honey operation
1. There are always people who can show up at critical moments. To be honest, I don't know if that counts as critical. Sometimes it feels like it was added forcibly. I can guess who will show up when. Digger can always show up when Green Arrow is dying. Thea appeared just when Roy was pointed at. The most ridiculous thing is that when Laurel was pressed under a brick, Tommy just came? After all, there are so many movies and TV series, and the audience's requirements are definitely getting higher and higher. Don't ask for surprises, I only hope that those people will show up when I want them to appear, not when I think they will appear. Han Han screenwriter.
2. Everyone is in a state of intellectual disability that seems to be online IQ. The boys are always masters of body strokes or just aim at you from behind without shooting them, and wait for you to look back and see the anti-killing him. On Purgatory Island, Green Arrow, a man who had learned bow and arrow for a long time but hadn't practiced it, just shot Fars, who was leaning on Shaduo, with just one arrow? Shado also nodded affirmatively. excuse me? In other movies, the professional snipers who occupy the right time and place and who dare not shoot are crying. Shaduo, you are actually implying that the Australian intelligence agent hurriedly picked up a gun and shot in front of the green arrow, right? That must be the meaning. After all, Fars is happy to give the green arrow time to aim, presumably not. It's almost time. In the last episode, Malcolm grabbed the green arrow and didn't kill me. I still can barely understand it, but he knew that after the green arrow ran away, what did he do for nothing? Taking a step back, if you know that the green arrow will come, you can't recruit two people who can fight? Are you in Star City or Star Village? In the end, I won’t say how Malcolm died. I was almost choked to death by boiled water. To be honest, the United States really needs a Chinese action guide. If you look carefully, in many dozens of scenes, there are always one or two people, and the protagonist turns to the ground without touching anyone.
Three. mediocre plot advancement
Many people were arrested in the story, but you will find that every time the reasoning of arresting people is something that children can think of. Even the whole main line doesn’t feel a little compact. Sometimes I can’t connect it, so I just just say "He’s very good, but I can catch this line. Don’t ask me why, because I’m too lazy to make it and can’t make it. Come out, you just have to eat popcorn and follow the plot and have fun."
Four. Silent Three Views
Although I know that it is stupid to discuss love ethics in American TV series. But Green Arrow said that Love Laurel couldn't let go of Laurel, and during this period, I saw a woman and went to the other (everyone still loves to die)? It seems that apart from his sister and IT women, there is no one he has never seen before. I feel that after seeing what this scumbag said to IT women, even the IT women will not let go in the future. Laurel is also great. She doesn't care if her sister gets fucked. During the period, Green Arrow also changed several girlfriends to see her. He just returned Tommy to the left and Tommy right. In a blink of an eye, two people can go to bed shamelessly and reconcile? And Thea, the last boyfriend didn't say where he went, and immediately found another one from the slum? Please, although I know it is a plot need, can you not write Thea like a bc who wants to be caught by everyone. Although I know that the United States is an open country, I have never heard that openness and licentiousness can be equated. It is estimated that Tommy is the most positive in this film, but I don’t know why a billionaire wants to be with an ordinary lawyer. And I don't understand what influence the slum people have on his second generation of rich so much that he wants to point a gun at his dad. I don't know what kind of stimulus the screenwriter's Three Views was in order to write this play like this. Obviously so many details and characters are waiting for fullness, the screenwriter actually wastes so much time and rhythm here.
Just write so much. Originally, I wanted to give Samsung as a whole for the sake of actors and IP, but the appearance of the last episode was disappointing. It didn't push the plot to a climax, but it made the nausea to the extreme.
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