Quoting other people's film reviews: Are children learning piano hard? It's probably also a joy in bitterness. When they walk in and out of the streets with their piano cases on their backs, it is a symbol of superior status. In China, people always pay attention to identity and ignore substance. In the film, Director Chen hits the nail on the head: music is not about high or low, it is only about people's emotions! As far as emotions are concerned, "With You" at least expounds the relationship between father and son, relationship between teachers and students, relationship between men and women, relationship between brothers and sisters, etc., and these relationships are placed in the general environment of society and you find it reasonable, such as all emotions. Among them, only the relationship between father and son is the most selfless, and there is more or less a utilitarian relationship in the relationship between teachers and students (Professor Yu said to the disciples who have become famous in the scene at the beginning, your musical realm is not good, but you are a successful musician. Let me join in and I hope you don’t forget the music itself before fame and fortune), and the relationship between men and women is even more unreliable (Lili and her boyfriend, originally Xiaochun bought her a coat with the money from selling the piano, but her boyfriend was wrong. Said that it was given by himself, and he also had other relationships before), the relationship between sister and brother is a bit ambiguous in itself (Xiaochun has a kind of longing for Lili and a mother who has never met and pays attention to the opposite sex, Lili To him is just caring for his younger brother), it is often the conscience and intuition of the person involved to decide it. Of course, all emotions exist because of human nature, and cannot simply be judged by right and wrong. The epochal nature of "With You" is reflected in this. Chen Kaige emphasized two realistic mainstream value orientations in the film. One is Personality, one is talent, these are easy to be hunted by mainstream society, and at the same time they are easy to fall victim to jealousy, selfishness, and greed in human nature. The run-in between Teacher Jiang (Wang Zhiwen is really one character and one image, not a poor piano teacher with a proud and bottom line) and Xiaochun is also a very interesting passage in the film, but just when the two are about to accept each other When Mr. Jiang was out of the game (because he told Xiaochun's father that I didn't guarantee his success, but I would definitely lead him to learn music well, but Xiaochun's father just wanted Xiaochun to succeed), maybe this is life, some people leave, some people Come in. The two piano boys in the film, Lin Yu and Liu Xiaochun, are brothers and sisters, and together they are taught by Professor Yu, a big name in the music industry. I don't know if Lin Yu is the shadow of Professor Yu's personality, but what is certain is that she chose Professor Yu's life path - success, that is, becoming famous and starting a family, having social status, and living a decent life. This is a very realistic adult girl. She refused to let Liu Xiaochun share the washbasin with her at the professor's house, calling him a "country bumpkin"; when she learned that Professor Yu had asked her younger brother instead of her to participate in the audition, she had a hysterical attack at Yu's house; at a critical moment, she took an old Qin made a psychological essay to provoke the relationship between Professor Yu and Liu Xiaochun (Professor Yu said that Xiaochun's life experience inspired his emotional performance, and Xiaochun's performance was also inspired by his mother's imaginary emotions), so he gave up the competition, and she finally Salted fish turned over and stood in the coveted spotlight under the light. Choosing such a character and such a means to represent "success", what does "success" mean? Mr. Jiang really loves music, but what did he get? Is his life called happiness? Mr. Jiang said: "I have music, and if I have music, I will be happy." If this is a realistic film, It is quite idealistic: it tries to use innocence to fight against "adultization" and socialization, and asks people to choose a life path of "prefer to be poor and wanton (don't care about other people's eyes and live casually)". If it is said to be idealistic, its picture is a very real reproduction of the idealist's embarrassment. If Lin Yu (Professor Yu) and Liu Xiaochun (Teacher Jiang) represent two extremes of "individuals' choices in the face of society", then this so-called choice is actually no choice, which makes people mentally Choose between depravity and poverty. At the end of the film, a philosophical conclusion is derived - the delicate relationship between artistic success and artistic realm, and success in reality does not only favor those who are truly powerful. There can be many human factors behind their success. One's own preferences, obey the inner call and live purely, Success depends on the grace of God. Combining my own thinking, at first I felt that Xiaochun’s father was a very small citizen, and he was even more philistine, more slick, and performed with heart. He first asked Teacher Jiang repeatedly, and then he met a famous professor in the music industry in the process of delivering food to make money for Xiaochun to pay tuition. He also learned that Teacher Jiang could not ensure the success of the child, so he made up a story (the child's learning Qin is because of the hope of his mother, whom he has never met, and this Qin is also left to him by his mother. He learns the piano because of his mother's expectations and his longing for his mother.) Let Professor Yu teach Xiaochun, this series of shrewd shameless I feel that this character is unscrupulous, a negative example of hoping for a child to become a dragon. I never thought that Xiaochun was an abandoned baby, and that the piano was placed next to him. He took over this is a heavy burden for a bachelor. The expectations of the biological parents are very disgusting in the front, and slapped in the face in the back. In the end, Xiaochun gave up fame and fortune, embraced his father, and played the part for his father, which really allowed classical music to enter the public life from the theater. Music cannot be just an elegant art, just like the idea that children in the countryside are not worthy of learning the piano. In the same way, music should be a people's art that goes into everyone's heart, no distinction between high and low, but only about emotions. At the beginning, the title of the film "With You" was in the clouds. It was Lili and his boyfriend, Teacher Jiang, Xiaochun and his dad. I thought it was a movie about love. A child who learns the piano for a woman's longing, only after seeing it, can he understand that it is an interpretation of the quality of selflessness and the emotion of family affection. How should I put it, each line of the movie is very concise, and the logic is also very strong, even if there is a lack of subtitles and some lines in the local accent that I can't understand, it can only be understood by movie reviews. It's a good movie. Music is not only the carrier, But it really integrates into the heart, a way to express a child's change in the understanding of the society itself, from the father's way of putting money in the hat, to the mentality of the city people who liked this coat because Lili didn't buy it because of the price, In fact, it is all about inner choices, not just a simple view on the surface.
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