9/10 The multiple beings and psychological states of multiple relationships are truly and naturally revealed in the context of grief, and the concept of descendants is also multidimensional. Discuss the seemingly close but distant things of times, families, and families. The chemistry between the characters is real, and every emotional point is just right. Coupled with the slightly sentimental soundtrack and the background of the photography work well together, it doesn't claim to be the mastermind. The slightly humorous empty shots in the transition are impressive, and the shots that express the emotions of the characters are also varied and creative. The connection of emotional points is naturally close, and the density of dialogue is just right. Always use the potential dramatic relationship between multiple characters to maintain a certain dramatic density instead of trying to simplify the relationship between characters like "Moonlight" and "First Man". Using thin characters to express so-called delicate emotions. The film's editing style is a delicate balance of comedy and tragedy. This sad story is brought to life in a slightly comical way. The hero's helpless state of mind is vividly portrayed. A bitterly dark humor (as a mood modifier, but soon to return to grief) grows up touching family ecology against the sad backdrop of about to say goodbye to her mother. Examining the absurdity and fragility of all the characters with sympathetic eyes, the interpretation of the mixed flavors and emotional evolution is well done. It is very sincere. Compared with "Osage County in August", which is also a family film, the development is more natural. In the second half, the farewell paragraph is a bit too long and detailed. Instead, it lacks the emotional power of a fatal blow, the space for the audience to reminisce, and the final blow.
View more about The Descendants reviews
