In this play, the screenwriter turns all the processes that people want to change the ending into a part of the program setting, no, fatalism is too dense. When I was a kid, I might like this explanation, but now I believe that countless parallel universes are constantly erupting this kind of disorder and randomness of various branches.
The rhythm of this play is not what I like. The front is a bit full, and a lot of content and setting introductions are stuffed in the back. Pay more attention to the logical brain-burning experience instead of justifying the argument with scientific and simple axioms.
Germany has not changed, do you think the world is a machine?
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