Miyazaki and his studio, as well as his work, have the rustic beauty of watercolors. Few people don't like that close to the countryside, the plain decorated workshop, simple figure paintings and gentle landscape paintings, just like Hayao Miyazaki, who will clumsily do radio gymnastics to music, remember to lock the door and pull the door. Curtains and folded sheep models on windowsills.
What impressed me the most were two things:
Regarding the ending of "Witch's Delivery Service", after Gigi retrieved the magic, Gigi never said a word. I always thought that Kiki's magic had not fully recovered or that the relationship between Kiki and Gigi could not go back to the past, but Hayao Miyazaki's explanation is very simple: sometimes they become speechless, and there is nothing to do when they are together in the end. said, but here he comes. Thinking about it like that, what would they say when Gigi jumped on Gigi's shoulder at the end? It seemed strange to say anything, so they smiled and rubbed each other, and they knew what each other wanted to say.
Regarding the story line, there is no fixed script, only a storytelling picture book that constantly develops itself. A good writer is like a narrator who has peeped into another world. The direction of the story and the behavior of the characters are not preconceived by them. They have their own unique running direction. We can't predict the ending, but every step and every step is reasonable, and the audience. It can also be recognized from such a timeline: Ah, so their world works like this!
Hayao Miyazaki is a wonderful person. He will turn some naive and boring fantasy into reality in comics, such as walking on wires, running on waves, and it is really difficult to be so beautiful. ?
Regarding this old child living in the 20th century, he loves peace and primitive life, hates nuclear energy, and ignores politics, but these alone are not complete Ghibli. The studio that maintains more than 500 people depends on commercialization These are actually very mundane operations, but it is these that support a Ghibli like an ideal country.
Miyazaki is a man who is very aware of the traces of life. He will use photos to document the details of life after the Great Depression, and he will cut the hair of a couple for forty years. But he is also a very idealistic person, who sees the pursuit of fame and power as hopeless, and sees all dreams as beautiful and cursed. Because he is Hayao Miyazaki, these are not worth mentioning to him, his detachment has enabled him to create world-renowned animation, and these achievements protect his detachment to maintain his detachment, both Symbiosis. It's just that ordinary people don't have his talent to guarantee that they can escape from the crit of reality.
In fact, the success of an animation is more dependent on the producer Suzuki to promote it to the world, just like in "The Wind Rises", although Jiro Kugoshi does not want to apply aircraft to war, but the times are like this, no one can exception.
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