The film is nearly 2 hours long, and it is basically supported by special effects. The story has no logic, and it is a bit drowsy to watch.
There are a few points that are really puzzling, and I don't know if I don't understand it or if there is another purpose:
1. The female protagonist is very beautiful and has a great figure. She is still the second generation of a high-ranking official. This may be an important reason why the alien man can't control it. The aliens do as the locals do very well.
2. I have never learned Maozi's language. I watched a few Maozi films and found that when Maozi was a little excited, he had to shout when he spoke, and he had to use all his strength. Can't you speak well if you have something to say?
3. The big alien spaceship that looks awesome, can control the earth's satellites, and can control the water, other than that? Reimbursement for a big bomb? Flying all the way to the earth, what about the defense weapons? It is neither a mothership nor a battleship, and there is no protection, so dare to come to the earth to make soy sauce. Can the local people drink soy sauce casually?
4. The brightest moment of the alien spaceship is when the water cover is closed up and down, and everyone soaks in the water until the heroine defeats the alien spaceship with the bracelet. The whole process lasted about ten minutes, and after the water receded, many people were still able to walk around alive. . . Has the Russian-haired race evolved to survive in water for a long time? Is this preparation for seizing the strategic high ground for mankind after the melting of the Antarctic ice sheet?
5. In the end, it's still a beautiful heroine. If you want to die, you can die by yourself. You have to call someone else to kill her. Everyone has no chance of protecting themselves when the Bodhisattva falls into the water, and who has the spare time to kill others? The second man held a gun for a long time and didn't shoot the heroine. It's a dead end. If you are hesitant, throw the gun at the heroine to see if she really wants to die. Let the people who eat melons see it. Really anxious.
Visible and insubstantial is a common problem in Maozi's sci-fi movies, and there is a clear gap between the film's story and the stick movie. It seems like a layer of paper windows, but it is not so easy to break through.
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