The style element of the film is very clear, Lomo style. In short, the color is saturated, the texture is old, and it looks very relaxed and casual. The label of the film is produced by Sarajevo TV. In my DVD catalog, Kusturica's films are the most complicated, and the nationality has changed again and again, from Yugoslavia to Yugoslavia, to Saihe, and finally to Serbia (it seems that he has not made a new film during the Serbian period) . When Black lost to Argentina in the World Cup, whoever commented in Sports Weekly said that fighting for a country that no longer existed was ridiculous, but who was Kusturica taking pictures for? This is indeed a director I love very much. His funny skills are no less than Zhou Xingchi. In fact, this analogy is very funny. Anyway, people like Kusturica are following the footsteps of Antonioni and taking the top three. How can Zhou Xingchi be comparable to him...but they give me very similar feelings, they are all helpless and wry smiles in ridicule, but Zhou Xingchi's postmodernity comes from being explained, and Kusturica's post-modernism comes from being explained. Modernity comes from my own comprehension and understanding of art. From "Do You Remember Dolly Bell? "Beginning, Kusturica's worries have never been covered up by his funny, even if it is extremely funny such as "Black Cat and White Cat" or noir movies such as "Arizona Dream", but when he is worried again, he never forgets. It's funny, serious like "Underground" or "Life is a Miracle", I've never seen it, and I can't imagine using such a tearful smile to face the division of the country and the contradiction of the nation, oh, this is Kus Turika, in his eyes, all the formal narratives become ridiculous and ridiculous, and all the jokes imply his deep thinking. Watching his films rarely gets tired, because you can always see all the ridiculous things in life through Kusturica's eyes, but if watching his films is just laughing, then you'll miss the most personal politics of contemporary Europe Director of Expression and Artistic Logos. Really, if it's just funny, then Kusturica is no different from Stephen Chow; however, we have given Stephen Chow countless postmodern meanings, but Kusturica is definitely not limited to this.
But I was really tired when I watched "Song of the Wanderer", it was really scary, 260 minutes... I really lack courage to watch long films. For example, "Breaking the Waves" has collapsed after 150 minutes. When I think of Bertolucci's "1900", which claims to be 6 hours, I feel hopeless... But I still persevere in this "Song of the Wanderer" Now, the version I watched is 5 episodes, each episode is about 50 minutes long, with a title and a preview of the next episode. Speaking of the Lomo style in the previous paragraph, it’s really kind of how you look at it. Either the film is old, or the golden filter has been added, or…or he has adjusted the color. I checked the information and found that many reviews have the word "lengthy" in the evaluation of this film, Wakaka, which is exactly what I want. The story of this film is very simple. It is a simple and innocent little girl with supernatural powers who went to Italy with the underworld boss, and finally became the boss. When she returned home, she found that her girlfriend was pregnant with someone else's child. Later, her girlfriend died of dystocia. , the child was snatched away by the underworld boss and prepared to sell. It sounds like a popular melodrama story, and it is true. Kusturica's ability to use bridges is quite skilled, and the sensationalism is just right. But Kusturica is more oblique than Hollywood. Noir films with classic structures can be made into "Arizona Dream". Johnny Dipper was trained by him to be such a crazy and silly child. You don't expect him to make a film in a proper manner. For example, this supernatural little Zhengtai can bend and move the spoon with his mind; for example, the uncle who is a gambler, he even used a car to hang the house in order to ask Xiao Zhengtai's grandmother for money... Imagine a building in a rainy night. What a terrible thing it would be to rise up and float in the sky... There is
not much to tell about the story. It is written everywhere about Xiao Zhengtai, but it is indeed about Yugoslavia in chaos. At that time, Yugoslavia was still Yugoslavia, but at that time, several ethnic groups were already fighting each other. Kusturica's camera gently flicks through the dilapidated Yugoslav hometown and the chaotic Italian streets, but Xiao Zhengtai's dream is indeed the Yugoslav station at the end of the Italian street. At that moment I felt Kusturica's sadness, his Lomo-style imagery was as touching as the ending of Tarkovsky's Nostalgia. So it is a masterpiece, so it is his light and shadow and fleeting years-the hometown is at the end of the road, but the journey is so long.
http://www.mtime.com/my/yinxiang/blog/259751/
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