The first thing I did after reading it was how holy the Google Jackson Pollock is. Put a few of his representative works at hand. Picture 1 is his most famous painting No. 5, 1948, which is worth 140 million US dollars. Sorry for the lack of knowledge, I can't understand the artistic accomplishments contained in it, and I'm not even sure if the direction is right. If you can see at a glance whether the famous doorway is genuine or not, you can be considered a like-minded person. This kind of sympathy can explain why Daben has such a deep love for a woman who has only known each other for a week.
The rhythm is a bit chaotic, although the main line is very clear, it is the double life of white-collar workers and killers. But there are too many sub-lines, and everyone of men, women and children is not an ordinary person, and there are a lot of vicissitudes behind them. In addition to the relatively heavy topic of autism, the talk show of Big Ben has turned into a group comedy. This movie is completely based on the script of the TV series. There are countless roles of restrained killers, and Big Ben's performance here can only be regarded as quite satisfactory. He laughed to the extreme, except for a few seconds when he was abusing himself in the room, he kept his face paralyzed for the rest of the time, and his expression was so small that it was not as good as Siri Justine's smiling smile behind the scenes in the last few seconds. The fighting is neat, the nonsense is not much, and the murders and guns are all praises. But the strongest Batman in history, now he doesn't show his flesh when he changes his clothes, he really wants to give a bad review. The biggest problem is that it is anticlimactic. The murderous foreshadowing finally turned into a long-lost brother party. The case of layered cocoon finally turned into a slush. The boss who didn't deserve to be killed was shot in the head by the big ben who had an obsessive-compulsive disorder. Throughout the whole film, the biggest villain is undoubtedly the accountant. Focusing on autistic children is just a pretense of this commercial film, and the scenes depicting the inner world of children have been diluted by too many branches and roles. How did he get there step by step? Why did the brothers part ways? Since the thermos cup is so important, why didn't you take it away? A lot of things are not explained clearly, and it feels like it is almost the same. The same is the silent killer's revenge plan, Quirrell Reeves' "Fast Pursuit" is more compact and beautiful.
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