correct

Tressa 2022-03-15 09:01:02

In the first half of the film, the child of a drug-addicted mother is kidnapped, and a couple of private detectives help find the child. The investigation finds that the child is involved in the chaotic life of the drug-addicted mother, then, the child "dies", the plot turns, the police are involved in the chaos of kidnapping the child for money, the police is dead, the story should end, this time the private investigator Suddenly I understood something, I found the police superintendent, and saw the missing girl at the police superintendent's house. The girl was smiling and happy. The story gets very, very heavy at this point. Detectives know that the drug-addicting mother's brother and the police "kidnapped" the girl, hoping that the child can grow up in a normal and beautiful environment, away from the life of a drug-addicting mother.

Putting the child back with the drug-addicted mother is what detectives think is right and must be done.

At the end of the film, the mother went to see the netizens and left the girl at home, but the nanny was not seen. The detective temporarily acted as a nanny and sat down with the girl. The girl's smile disappeared, and she stared blankly at the TV. The detective looked at the girl, and the play ended.

Should the girl live a happy and happy life or should she go back to her mother? !

Things in the world seem to be divided into right and wrong. People are trying to do the right things. In fact, many things that are right are wrong, and many things that seem wrong are right.

The director and lead duo are really born for movies, and their movies are great from the start.

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Extended Reading
  • Melyna 2022-03-25 09:01:05

    Looking forward to the director's shooting of a Hong Kong version of the gunfight film, it is absolutely thrilling.

  • Deonte 2022-03-25 09:01:05

    The main book is good, but the small book is also a qualified director, but Patrick is much thinner than expected

Gone Baby Gone quotes

  • Officer in Procession: [approaching Patrick and shaking his hand] Mr. Kenzie. Nice fucking job on Corwin Earle.

  • Patrick Kenzie: I'm calling state police in five minutes. They'll be here in ten.

    Capt. Jack Doyle: Thought you would've done that by now. You know why you haven't? Because you think this might be an irreparable mistake. Because deep inside you, you know it doesn't matter what the rules say. When the lights go out, and you ask yourself "is she better off here or better off there", you know the answer. And you always will. You... you could do a right thing here. A good thing. Men live their whole lives without getting this chance. You walk away from it, you may not regret it when you get home. You may not regret it for a year, but when you get to where I am, I promise you, you will. I'll be dead, you'll be old. But she... she'll be dragging around a couple of tattered, damaged children of her own, and you'll be the one who has to tell them you're sorry.

    Patrick Kenzie: You know what? Maybe that'll happen. And if it does, I'll tell them I'm sorry and I'll live with it. But what's never gonna happen and what I'm not gonna do is have to apologize to a grown woman who comes to me and says: "I was kidnapped when I was a little girl, and my aunt hired you to find me. And you did, you found me with some strange family. But you broke your promise and you left me there. Why? Why didn't you bring me home? Because all the snacks and the outfits and the family trips don't matter. They stole me. It wasn't my family and you knew about it and you knew better and you did nothing". And maybe that grown woman will forgive me, but I'll never forgive myself.

    Capt. Jack Doyle: I did what I did for the sake of the child. All right. For me, too. But now, I'm asking you for the sake of the child. I'm begging you. You think about it.