It's a long set. On the long road, he has to bend. The post of screenwriter is a well-deserved title this time.
Like the secret room, this kind of game doesn't need many people, but I didn't expect that the drama of Luchang is full of tension for so long. It starts with peeping, and this time it is a hint given by someone outside the window, and the audience can't think it is a secret love. It is stealing, and it must be suddenly rejected or even exposed, pointing to the destruction of life after that. When it comes to him, when she is slow, he chooses to be slower. This kind of character often leads to unexpected. Women feel depressed because of it, and they open up the road after the end of the mountain. Seeing this, I thought that this was his plan. But the screenwriter made this character indispensable. At a certain moment, he should let his blood flow and let him block the blood vessels. When he was stunned, his later statement was very clear. This makes people gradually feel a kind of chaos, as if the original intention of this voyeur is not so profound. It's like a simple feeling at the root, just an imaginary in that window. He didn't use the other party's sensibility, or inadvertently swayed her by his panic actions, and when she took the bait, he flinched. Seeing that the woman's ex-boyfriend retaliates in the future, the company is hostile to him because of his mistake, all because of his slight remarks. At this time, I thought that the screenwriter was really great. He found out whether there is such a possibility. If you meet someone or something, when the latter appears for the first time, it must be cute because of novelty. There is a type of person who is inconvenient to show before others, or is introverted, and is also slow, and the people around him think that he may be the culprit of some unsolved things. Is it because of the intractable thorns of the mystery, or because the world is too superficial, just relying on someone's wrong demeanor to walk a ridiculous and bloody road, this was a process of alarmism in the past, and it seems that it should be done on the screen. The author presents personal growth questions. In the end, he didn't get rid of the calamity caused by his slow-moving expression. He thought he was mentally ill, so he started from this voyeur; he believed that he murdered his ex-boyfriend, and repeatedly suspected him of peeping at the heart that he had followed for a long time. He does not compromise with reality, and is firmly tied to reality at the moment of dissolving.
be remembered.
Memory is not reliable at all. There is the terrible property of repetition. One weight can be true and false, and everything can be true and everything can be false. Vengeance, jealousy, and obscure love are all mixed up one by one, and the boundaries are just unclear. No matter the good person or the bad guy in the world, they are all human beings.
Is he a good man. First ask, is he a bad guy? He only settles on the strings that are stretched during the period. The bad thing is that he has a lot of fire. If he shows good intentions and goes to the right, and waits for the slightly evil Duanni, he leans in the middle... After all, this is no longer the case. There was the window that attracted him at first.
At the end, he stood in her window at the time, and at this time he was hesitant or serious, but he really became a murderer. Finally had time to look outside, like she was busy hiding under the lights of the house, like showing him.
At this stage of him, she confessed and committed suicide, and I also understand that the screenwriter's bitterness can't be more clear, and the people outside the window always look at the people inside. In fact, even if he has gone through the story with her that he didn't want to unfold, he may still not understand it himself.
Isn't this a lot of hard work by the screenwriter.
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