The most annoying part is the last part, an adult, he should know the boundaries of the game, don't start if he doesn't put his heart into it, he clearly knows that the heroine is a single mother of three children, but he still holds it at the train station for no reason. The brand welcomes you, this is not what creates an atmosphere of derailment.
Before, he should have understood Sophie's character. Sophie is looking for true love. If she falls in love, she will get divorced. If you don't have this responsibility, don't hire her. At the first meeting, there are people around each other. The second meeting is for Sophie. Invitation, just because he kept talking about his love for his wife during the party, Sophie turned around and left. That's it, the male protagonist played by Cruise hasn't been awake yet. He wants to eat but dare not pay the cost.
There's that bullshit "don't start until it's over". Sophie meets the wrong person.
Comparing with Emma in "The Life of Adele", Adele is actually a timid person in love, just like the male protagonist in "An Encounter".
In "The Life of Adele", Adele concealed the truth three times: once she met Emma for the first time in high school, and Emma went to school to find her. When her classmates laughed and questioned her, she dared not admit that she was gay and dared not confess that she loved Emma. ; The second time is that after graduation, I never dared to admit that I was a lesbian in front of my colleagues and that my relationship with Emma was not good, and I didn’t dare to love in public. In contrast, there were so many people at the family gathering held by Emma. Emma's friends all know them and they gladly accept and bless them; thirdly, when colleagues send Adele home, Adele dare not let her colleagues know that Emma is a lesbian; fourthly, when confronted by Emma, Adele dares not admit it Cheating with a male colleague.
In the beginning of the play, Adele and Emma swore their whole lives, and it was Adele who ruined it all because Emma was more confident and self-love. Love yourself loves Adele, sincerely, and Adele doesn't love herself, doesn't accept her true self, and walks between homosexuality and heterosexuality. Emma has never been integrated into Adele's life circle of friends. Adele was not accompanied during Emma's struggle. After Emma's complete success, seeking reconciliation is obviously over. What Emma wanted was total love, true love, firmness and not skepticism. I admire Emma more. What Adele, who lost Emma, needs to find back is not Emma's love but self-love. It's a steadfast, unrequited effort. Emma was mature and trustworthy, and she later reflected that same love for Chris' mother and daughter, and her insistence on painting.
Also, between Sophie and Cruise, Sophie's attitude is clear and mature, Cruise is hesitant and childish.
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