Judging from two aspects, the art of the film is very good, and the political correctness is rubbish.
Guy Ritchie's stylized film is back, fast editing, multi-line narrative interlocking, plus various reversals, dark humor, violent aesthetics, dynamic soundtrack, it is a four-star no urine point that can be ignored in the plot commercial cool,
The character creation is worthy of the appearance of many cast members. Guy Ritchie can use a few rotten lines to instantly stimulate the talent and emotions of the actors. The rotten Charlie Hunnam, the shrewd and charming reporter Hugh Grant, the motherly and humble Colin Farrell, the greedy and refined Jewish businessman and the irritable Asian actor who played "Dry Eye", although there are many characters, The portrayal is excellent, and each actor exudes a unique charm.
This movie, like "The Irishman", laments that he is old and humble. The difference is that the Irishman depicts the powerlessness under the changing times, while "The Gentlemen" is still strong in control. It's just that I want to go into hiding, no It means I can't. The clues and conflicts of the film exist in the constant contrast between the old and the new, thugs in suits and street youth, etiquette and ignorance of rules, cigarettes and powder, whisky and YouTube live broadcast.
Putting aside the quality of the film and just talking about racism and prejudice, some of the plots are unmistakably disgusting.
The allusions of the Merchant of Venice and the Yellow Peril are used, ugly insults come as soon as they open their mouths, and the wave of anti-political correctness brings relief to some idiots in the West, but it is even more speechless to defend their compatriots.
White guys do wrong things for specific reasons, and they all have hardships. People of color do wrong things because of their inferiority. The stupid and blind sense of superiority caused by inferiority is reflected in the video of Douyin giving money to Africans. ..
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