The recently popular R-rated action movie "Shocking Rescue" has been long-awaited. Hammer brother Chris Hemsworth put down Thor's hammer. This time he became a black market mercenary. Instead of saving the world, brothers fell in love and killed each other. All he wants is to rescue the kidnapped son of a jailed gangster. Sure enough, the film directed by Sam Hargrave as a stunt double and stunt director in Marvel movies is really neat.
At the beginning of the movie, Brother Hammer is seriously injured and leaning on the side of the car in the fierce battle on the bridge. Then the story goes backwards to the kidnapped son of the Indian gangster who went out to play with friends at night, and then Brother Hammer, as a mercenary master, determined this task and went to India.
His tragic memories of losing his son form a lost and found relationship with leading his trapped gangster son to escape. So it was obvious that the gang had put pigeons in the middle of the debt, but he still insisted on taking the child to break through the siege all the way to the border bridge.
Due to the limitations of the movie rating system, the director finally had a hand in Netflix movies. In the dim yellow color scheme of the movie, Brother Hammer first rescued the child by himself, flickering and moving in the narrow space with his bare hands, leveraging his strength and swinging his hand with a knife, smooth, fierce and tragic; then he drove the child all the way through the crowded crowd. , the police encircle and suppress, shaking the camera and the perspective of the domestic back seat make the ordinary chase more thrilling; then hide in the crowded blocks and buildings to break them one by one, the camera still shakes and follows, the game-like rear perspective, connected into a long shot Coupled with the smooth use of his submachine gun pistol and saber, he is very impressive.
The fighting was wonderful, and the chat between the two at night was touching. As a father, I feel guilty about my son's departure, and as a son, I feel angry at his father's neglect. There is no difference in identities between the two places, but at this moment, the tears and choking of the two of them resonated with me. So their identities are no longer mercenaries and hostages, but a father rescuing Dawn and a son looking for an arm.
So the lore of the bridge had some tragic background, and finally made the tragic into a tragedy. Killing and being killed both have a sense of fate, and because the child and other young gangsters are on both sides of the lore, the future battle may be equally exciting (if there is any).
Of course, the other thing I like about this movie is that there is no heroine who is finally in love, only a few silent eyes at the beginning, and finally determined to avenge the male lead.
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