It seems that creative anxiety is an eternal proposition! Once again, I saw Yang Dechang's favorite sound and picture misplaced! There is a very interesting scene where Li Lizhong pulls Yu Fen when the editorial department is questioning her. At this time, a door frame appears in front of the camera, and Xiao Shen, played by Jin Shijie, pushes Li Lizhong out of the frame, so that Li Lizhong is on the left of the door frame, while Jin Shijie and Yu are on the left side of the frame. Finn's composition on the right. The relationship between the three is clear at a glance.
When Zhou Yufen was standing by the window of the editorial department, he opened the window and the focus was on the cleaner who was risking his life to clean the glass. The window, and then the camera jumped to the graph paper on Zhou Yufen's desk, implying that Yufen was suffering from writing at this time. Combined with what my husband said at the beginning, "How can writing a novel become such a terrible thing?", knowing that the husband does not understand the hardships of his wife's "risking her life to write", and he never cares about others. Immediately after he came back, the first thing was to wash his hands in the toilet, always doing the same thing over and over again, and life was boring. Please see that the tiles in the bathroom are also squares at this time, so another meaning of the squares is: the people in the movie are all framed in the cages created by the squares. Yu Fen is actually an idealist. She chose to write to escape the fate of working by the rules for a lifetime, but she didn’t know that she was trapped in the cage created by the graph paper of the novel, and finally married a man who was also trapped in the cage. husband.
Do you think the revival of her and Xiaoshen's old relationship means her successful escape from the cage? I don't think so, please see that the bathroom of Xiaoshen's house is also checkered!
Yu Fen gave an acceptance speech after winning the award. At this time, she also hinted on many TV sets that she could not escape this kind of prison. Combined with the previous situation, she would not live a happy life with Xiao Shen, it was just a matter of Just started another cycle.
Regarding the small squares, there are also the photos of the two women taken by Xiaoqiang, all of which are large photos stitched together with small square-shaped photos.
When Li Lizhong and Zhou Yufen met in the restaurant, they played Cai Qin's "Please Pretend You Will Reluctant Me". Also in the movie in real life, the BGM is also this song after Li Lizhong committed suicide. He is a real tragic figure!
The film has a reddish tint, red in many places, and red represents a red flag. In Yu Fen's dream, she imagined that when her husband killed the hospital director, a child with a small red schoolbag on the side of the road ran past a red car, and then led out the headless director to the car. It implied that he was in danger, but he was shot to death by Li Lizhong very quickly.
Immediately afterwards, when Li Lizhong ran to Xiaoshen's house, there was also a red fire hydrant next to it. We also know the ending.
Who did Shu'an call for the second time, she said something like she didn't want to live. She should have called Yu Fen, and then she joked that she was Li Lizhong's lover, bla bla... Please note that Shu'an was leaning against the wall at this time. The state of wanting to live is fundamentally different, so it is inferred that the previous call was purely a prank made by my mother not to let her go out and be bored. The scene after Shu'an's phone call directly shows Yu Fen sitting in front of the phone in a daze, with a small notebook and a blue pen next to the phone, so it can be inferred that she called her. There is another scene at the back of the movie where Shu'an makes phone calls in turn according to the phone book. Note that Shu'an is sitting on a chair at this time, and then Yu Fen answers the phone, then takes a pen and a notebook. In this way, the previous scene should have happened at the back of this scene, and it was deliberately brought forward by the director. The reason why Shu An was sitting in a different place was that after being found by her mother and hanging up, she called Yu Fen again while her mother was away. Made a phone call.
After receiving the first call, Yu Fen only heard the address and was hung up by the caller, and then hurried to the recorded address. When she came back and leaned next to the phone on the wall, the phone rang again. She didn't answer it. Shufen should call again later. Then she answered, and then started the first conversation, which also caused Yu Fen to leave completely. The fuse of her husband, and then she completed the novel according to her own imagination, and reproduced her husband's criminal process in her mind.
According to the conversation between Li Lizhong and police friends, Xiaoqiang showed him his buddy Da Shun (probably a police officer) and his foreign girl (little bastard) in the photo that Xiaoqiang gave him. The foreign girl should be Shufen, she should be a mixed race, which country is mixed Woolen cloth? It should be Chinese and American mixed blood. This is related to the history of Taiwan. When the United States fought the Vietnam War and stationed 200,000 troops in Taiwan, those Americans should have married and have children with local women. After the war ended, they should all go back, which is why Shufen's father didn't show up. Of course, my mother's lighter has also been verified. It is said to be the first cavalry division of the US Army, and participated in the Vietnam War.
As for who Dashun is, I tend to be the policeman who came to handle the case at the beginning of the film, but the policeman who appeared in the film is unclear. According to the state of the characters, there should be five.
Besides Li's police friend, one of the other four must be Dashun. So here comes the problem, the policeman's girlfriend is a criminal, and she will be wrapped up with Lao Wai, who runs a casino, and it's a case she's working on. Combined with the fact that she has invited guests to play fairy dance many times later, I believe how strong this woman's snake and scorpion attributes are without too much narration, right?
This is where Yang Dechang's genius lies. The appearances and lines of seemingly unrelated characters are all for his ideology. The complex character relationships finally weave a huge net, allowing any person in the film They are all inseparable from this era.
Yu Fen's novel won an award. One of the jury members said that this story was very life, but it was very tortuous, and it made people feel cold when they read it. This is not only an evaluation of Yu Fen's novel, but more like Yang Dechang's evaluation of his own movie, and we really felt chills after watching it.
This scene is very interesting, Li Lizhong is in Yu Fen's dream at this time, and a movie poster appears in the background. Combined with the previous Shufen telling her husband to recognize that this is in a novel, not reality (similarly, she is also right Xiaoshen said it, Xiaoqiang's girlfriend also said it, and Xiaoqiang's girlfriend is reading books at any time), in fact, she can't tell whether this is a novel, a dream or reality. As the audience, we are watching Li Lizhong in the movie standing in front of the poster. The director also clearly reminded us that this is a movie, but how many people didn't bring this chilling feeling into reality? Isn't the director's shot realistic? ...
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