Thoughts about Hitchcock

Salma 2022-01-27 08:06:55

It is suitable for thinking on rainy nights when the wireless is broken and the 4G current is limited.

The first time I came into contact with Hitchcock was in "Psycho" which was an elective course in college in 2014. At that time, I couldn't understand his skills as a director. I only remember being scared and hugging my girlfriend next to me, leaving only this as a cameo A shallow impression of a funny old man of his own movies. It is not until now that I have dug deep into other classic works of West Fatty, and then I realized what Hitchcock-style suspense and McGuffin technique are, and noticed some shooting techniques, light and shadow effects, story structure and film rhythm, reversal, etc. Wait.

This feeling is reflected most vividly in Vertigo. The reversal of more than half of the viewing time negates all the foreshadowing of the slow progress before, and the sympathy for the heroine dissipates in an instant. Maybe that is what others call the golden eight minutes at the end. "Rear Window" and "Telephone Murder" are similar. The entire shooting is completed in a closed scene, telling a great story without feeling boring. The former even runs several story lines in parallel, while the latter's logic is worthy of praise!

The use of McGuffin's technique refers to "Butterfly Dream", "Would you like to go to New York with her, or go back to Mandoli with me?" The casual proposal across the room satisfies the house's fantasy of love. And Rebecca is the prototype of the femme fatale in American dramas. "Doctor Edward" cooperated with Freud, and Dali drew a dream picture, and the plot was reversed in ten minutes at the end, psychological art!

The magic is that I am very anxious when I look at Xi Fatt's work, always worried that it will not have a happy ending. After reading it, I feel that I am still unfinished. I can't help but scrutinize the details and analyze the shooting art. Maybe in Hitchcock's works, the actors are not enough. He exists like a vase, and his own charm has surpassed the movie itself~

It is also worth mentioning that the heroine is always noble and elegant, fashionable and exquisite, and the hero is always meticulous in hairstyles and suits, burly and handsome, with a strange plot, and a love story under the strange BGM...emmmm

Finally, I would like to thank this great director of the last century for taking me into the door of the world of suspense, and I began to think about some problems, accept loneliness, and absorb spiritual nutrients.

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Extended Reading
  • Kacey 2022-03-25 09:01:06

    Basic elements in Hitchcock films:suits, old man, middle class, blonde,stage house,MacGuffin, unpredictable consequences, love and murder

  • Margret 2022-03-24 09:01:36

    Hearty, in one go, the whole film is dominated by dialogue, the murder plan and reasoning process are extremely exciting, an imperfect murder almost achieved a perfect murder in another sense, the male protagonist Ray Milland played very vivid, Grace Kelly Moderate. Sr. Alfred's location this cameo is so funny.

Dial M for Murder quotes

  • Mark Halliday: [to Margot] Darling, I understand now, but that doesn't stop me from loving you.

  • C.A. Swan: Where's the nearest police station?

    Tony Wendice: Opposite the church, two minutes walk.

    C.A. Swan: Suppose I walk there now.

    Tony Wendice: What would you tell them?

    C.A. Swan: Everything.

    Tony Wendice: Everything? All about "Mr. Adams" and "Mr. Wilson"?

    C.A. Swan: I should simply tell them that you're trying to blackmail me into...

    Tony Wendice: ...Into?

    C.A. Swan: ...murdering your wife.

    Tony Wendice: [chuckles] I almost wish you would. When she heard that we'd have the biggest laugh of our lives.

    C.A. Swan: Aren't you forgetting something?

    Tony Wendice: Am I?

    C.A. Swan: You've told me quite a lot tonight.

    Tony Wendice: [scoffs] What of it?

    C.A. Swan: Suppose I tell them how you followed her to that studio in Chelsea and watched them cooking spaghetti and all that rubbish. Wouldn't that ring a bell?

    Tony Wendice: Oh, it certainly would. They'd assume you followed her there yourself.

    C.A. Swan: Me? Why should I?

    Tony Wendice: Why should you steal her handbag? Why should you write her all those blackmail notes? Can you prove you didn't? You certainly can't prove I did. It'll be a straight case of your word against mine.

    C.A. Swan: That'd puzzle them, wouldn't it? What could you say?

    Tony Wendice: I should simply say that you came here tonight, half-drunk, and tried to borrow money on the strength that we were at college together. When I refused, you mentioned something about a letter belonging to my wife. As far as I could make out, you were trying to sell it to me. I gave you what money I had, and you gave me the letter. It has your fingerprints on it, remember? Then you said if I went to the police you'd tell some crazy story about my wanting you to murder my wife. Before you go any further, old boy, do consider the inconvenience. You see, I'm quite well known, and there'd be pictures of you as well. And sooner or later there'd be a deputation of landladies and lodgers who would step forward and testify as to your character. And someone is almost certain to have seen you with Miss Wallace. You were careful not to be seen around with her, I noticed. You usually met in out-of-the-way places where you wouldn't be recognized.