After watching the movie, I scroll down to the comments. If I see a few words that fit my thoughts and feelings, I’m satisfied and may even forget to like and cross off the window. This is probably unattainable happyending. From now on, I even I don't want the kind of heaven and human language that meets and hates to win over ten years of reading. But there is always disappointing one or two times, including this time, I opened two pretending so-called film reviews in a frustrating place, and there was no sympathetic opinion, holding a different point of view but not giving me the opportunity to defend it to the death. I scribbled to the end without saying it, with a long head in vain and a short commentary tail drooping. This is not the point. For troublesome things, I have to pay for the energy and space that does not match it to express the feeling that I will be drowned in the saliva of the spectators. Let's swallow it before reading it. Cloverland, call it Clover's Archives, the first film in this series can probably be regarded as a type of film derived from the Cthulhu system. Of course, it can also be regarded as a simple monster movie. It is just based on my judgment that there is a high degree of overlap between the movie and this genre. The total gram of sugar is better. After all, the Cthulhu myth is not so influential as to become a specialized discipline or even popular religious belief. Its greatest contribution is to create a precedent for "unspeakable things" in suspenseful literary and artistic works. It is like talking about cannibals. Think of Dr. Hannibal Lecter. Therefore, Clover is a Cthulhu-type movie. I think it is not entirely groundless, although I don't know if the director has this intention. The presence or absence of tentacles is only at the symbolic level. The type depends on the degree of similarity. After all, not every octopus has a surname, nor does every octopus have the honor of being included in the love of craftsmanship. As for the second part, Highway No. 10, which is the link between the trilogy, I personally think that although it is not as good as the first one, it is still a good movie. I feel that the western imprisonment movies have something to do, after all, they are very experienced in this. Realistic "Room" and Yimei's "Split" are also available, but I heard that the second part is rotten, and there are a lot of adaptations based on real events, which mostly revolve around the game between cats and mice and the psychological trauma of the victims. This drama can’t talk about a unique approach, because it also has elements that were often talked about before, but I think he is quite good in the discussion of “protection” and “imprisonment” and the rendering of “unexplainable fear”. Protection is to enclose the target person or thing to isolate the dangerous things outside and within the wall; imprisonment is to enclose the target person or thing to satisfy the supervisor’s personal desire to cause harm to the imprisoned person, and isolate the possibility outside the wall Things that interfere with the satisfaction of the supervisor's desires. Obviously, it is impossible for the two to coexist (of course guardianship is not an overlap, the supervision of guardianship should be the intention of supervision). The starting point of Howard in the film is completely unknown at the beginning, and what is the state outside the basement in Howard and Emmet Under the description of, it became more and more incomprehensible (I have to say that daily oral descriptions can really kill people), so the fear of "indescribable things" spontaneously arises. Ai Shiyi said: "Humans lack the ability to connect known things together. This is nature's greatest kindness." Once you have this ability to become a heroine-you will experience the fear of nature. Howard's behavior is always hovering between the possibilities of "protection" and "imprisonment". The so-called suspense is to throw out known clues, and finally be dropped by the sword of Damocles with enough wisdom to cut the ending. . There are more and more "knowns" in the basement, and fewer and fewer "unknowns". However, there are still unknowables, which is whether the outside world is consistent with the description of the two and Howard's motives. The scene where the hostess of the restaurant opens the door after grabbing the key has largely solved the first problem. Seeing that the state of the woman knocking on the door is a little problematic. But there are still doubts—according to the fat man's statement that he knew the woman, I once thought that the woman was a bitter trick played by the fat man. Then the scene of repairing the air switch completely solved the second problem: in fact, this is no longer an implied problem. The fat man’s lies, the blood on the window and the bloody earrings have made it clear that he must be a dangerous person, and then contact the people behind. Ammonium perchlorate learned that the girl must have encountered an accident. At this time, the basement and the outside world have become tiger dens and wolf dens. The heroine’s judgment is reasonable and in line with the judgment of every normal person. The game in this secret room is probably calculated. It's more brilliant. The alien spacecraft and Molotov fireworks that escaped afterwards can only be said to be flawed, although I know it's a bit of a joke. Finally, let me talk about the discussion of "security" and "freedom". From the perspective of the whole article, in fact, the contradiction between these two factors is not so prominent. The first priority that the heroine hopes from the beginning to the end is "safety" rather than "freedom." When I first woke up in the basement, I had to call the outside world to ensure my safety. Sharpening the crutches was also panicked and determined that the fat man was a threat to my own safety. After seeing the situation of the knocking woman confirming that it is "unsafe" outside, and letting go of the two people in the basement, there is the only relaxing part of this film about basement life. It can be seen that basement life does not completely restrict personal freedom. However, all the behaviors of the fat man can be said to be a lot of doubts, which reduces the safety of the basement to the extreme. Although the whole film is suggestive, there are indeed problems in general. Not to mention the criminals, at least it is a pervert. Talking about the situation outside, I started to talk about conspiracy theories, various missile crisis city occupations; I said that I was anxious after seeing the disaster and wanted to super heroine’s car, but according to the scene of the heroine’s recollection, the rearview mirror saw the rear of the car in front. That is to say, at the beginning, the fat man’s minivan was in line with the heroine; he was always very upset with the old friend who helped him build the basement, as if he had ruined something good for him; physical contact was not allowed but let the heroine help him. To sew wounds, I don’t believe that a navy in the army is sewn with the help of others? Not to mention the lies about the daughter, the help and earrings on the window. And he and the heroine suddenly shaved when they started "the world of two people". This scene made my back cold. I haven't shaved for so long. The beard is so long. Killing people suddenly shaved cleanly—— Not to mention so much, instead of passively handing over the power of life and death to a criminal suspect who just killed someone, it is better to resist: Either kill the fat man or flee-after all, since it is all like this, it is not 100% sure that the fat man has a problem. , The choice of the heroine not to kill innocent people is unreasonable. If there is guaranteed safety, under the conditions of the movie, who would be extravagantly seeking freedom-and not everyone is a pan-the-blood. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk. "Humans live on a small island called ignorance in the gloomy ocean. This ocean is vast and contains endless secrets, but we shouldn't have sailed." The basement is a small island, full of human suspicion and evil spirits. However, the hymn is reserved for those courageous voyagers, who run against the flow of people, and even don't forget to lift up the little girl who fell on the ground. I haven't read "The Basement", and may have stated some over-interpreted views, but it can lead to a few other words, which is not in vain of this long talk.
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