In the words of Mr. Zhang Yadong, it is: special~ special~ good!
The music is especially good! Most importantly, the song not only properly renders the atmosphere, but the lyrics also participate in the narrative. I like these small thoughts very much.
The shades are also very beautiful. The blue tone of the whole film is really cold enough. I especially liked the ambiguity of the neon red and blue in her hotel room in West Germany, which made it difficult for me to take me into a Cold War hotel, but it had a strong sense of surrealism. The watch shop is the quietest, warmest and most orderly place in all the scenes. It doesn't quite match with other parts. It is from here that David discovered Lorraine's secret.
Talk about action scenes. The melee combat part, especially after I can see that she is working hard and desperately, makes me feel even more uncomfortable. One-vs-two is OK, one-vs-three is OK, one-vs-four and above I really... Really can only hypnotize myself. This is the program effect. Just when I was almost bored, the car chase scene that followed was so beautiful!
Starting with the agent Lorraine knocking out the front window of the car with two shots, the long shot is brilliant, and the language of the shot is quite accurate: when Lorraine shifts the gas and rushes forward, the camera starts to follow; first, Spyglass is given a painful close-up , then moved down to the bleeding wound on his waist, then turned back, with Lorraine and Spyglass in the foreground, the car chasing behind was seen through the rear window, the picture of this car rolling over should be a clip point; Then the camera came to Lorraine's side, gave her a close-up, and this shot was past (bloodstains brought to the window) and came back on her face, which was also very good; then the camera went back to the rear view, through the car The front window saw that there was a traffic jam in front of the road, the camera moved down to a picture of shifting gears, and then the camera shifted back and forth to experience the chase from the perspective of the protagonist, which was much more exciting than those fragmented quick edits.
Well, a few last rants. Theron is really beautiful, but can you be more vivid? I was thinking, if she didn't let her smoke, would she still be able to play the ruthlessness and ruthlessness of a three-faced female spy? Another is that the Soviet Union is too weak. I feel pity for them. They are stupid and stunned. They are not smart enough.
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