This way of shooting is very good! The director is cute. It seems to be a demonstration and guidance for the audience who want to make a good movie (video) in a way that everyone can be a director and a video shooter - using reality The real name, real identity, including the real title of the film (video) that is being filmed, go out of the camera - use the perspective and identity of a bystander to re-observe and examine the relationship between countries (mainly one's own country) and other countries), between nations and nations, and between everyone… differences and commonalities, and then in the process, it may be possible to unravel the knot that has been bothering the heart, including the possibility of The group that reconciled with itself.
Suleiman left his native Palestine in search of a place free from the daily violence, roadblocks, and identity checks. He traveled to Paris, New York, and he found what we see in the film—the opposite of his homeland face in an orderly manner.
Streets, parks, roads, traffic, restaurants... Between people, between things, and even the police patrolling together, the housewives who meet with their babies in the park... all in order Ordered enough to give you an illusion or suspicion - how can you be so tidy? (Of course, the movie has its components that need to be rendered)
Of course, at the same time, what the country is losing is precisely because of the absolute physical distance without interaction between "people" and "objects", and the absolute obedience to rules - lack of vitality And creative quiet air and deserted neighborhoods.
Watching this film during this period brought more or less "real empathy" and thinking. Among the few lines, I remember this sentence - "People of all ethnic groups drink to forget, and you people of Pakistan drink to remember".
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