Dense pipes and flying documents satirize the mechanized office. Suddenly breaking into ordinary houses, Larry and Horton's beautiful morning, Larry's mother's "funeral", the rich second-generation Larry just wants to quietly enjoy the happiness of a small clerk, wants to help people who were caught by mistake, but is slandered instead. The dream that was desperately realized was ruthlessly broken after only one night of enjoyment.
As the clue of the whole film, De Niro is the person who is really going to be caught but never gets caught, and this character is not an evil person, on the contrary, he is one of the few sober and kind people. On the basis of the satire of the whole film, Gilliam uses this character to double satirize the regime's incompetence: catch good people, indulge bad people, and fail to catch people.
Gilliam is like a cactus full of thorns? Rolling back and forth to crush the foam regime, but also to bring a large and sharp soundtrack and a woman's long scream, it hurts my ears and eyes...
Prison-like exclusive office, two people rushing to use the same desk, staff who can't turn on the computer, promotion gifts that decide yes or no, high-end food with beautiful pictures and real disgusting, old women's gossip and cosmetic surgery... Terry Ji There are always many interesting props or settings in Lim's films.
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