The iron man is tender, but the song ends and people dissipate; there is love and righteousness, but things are different.
Each gangster character created by Pacino has distinct and different characteristics. He is very good at grasping the main tone of the story to interpret the complex inner heart of gangster characters in different periods, arrogant, calm, low-key and noisy.
This film is like the last aria to a former man who got out of prison. When he said to the lawyer never give up your friend, the lawyer laughed at him on the hospital bed: fuck you and your self-righteous code of the goddamned of the street . Lian Po is not yet old, but the times have changed. This is the saddest thing for the hero. But he ended up with lawyers in his own way, full of old-time rituals, and his principles made him unable and disdainful. This reminds me of the review of Hongmen in "Underworld". It was an awe-inspiring era, just like Carlito's name. People are not in the rivers and lakes, but the rivers and lakes still have his legends.
In the echoes before and after, he escaped with no regrets, and the concluding remarks he said were somewhat relieved. It was the final footnote to Escape to paradise, a game and a dream, and a heroic curtain call.
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