In many ways, Peaky Blinds is a good romance drama. Although the direction is a bit too Qiong Yao, but there is still charm and character. The essence of the film is basically covered by Niye's opening song. The effect the director strives to achieve is nothing more than two points. Su. And cold and cool. In other words, for this show, the director did not pursue an epic effect. Insufficient ambition, (of course, it may also be insufficient funds...), just dressed in the cloak of gangster movies. So those friends who are pursuing the style of the Atlantic Empire, you are on the wrong set. In fact, from the basic character setting and the development of the first episode, even if all objective disadvantages are excluded, this drama can be made into an excellent godfather-like family legend. The screenwriter was helpless and lost all the way, until the last episode completely lost contact with the first episode. Most of the settings that could have been the triggering points of contradictions have been understated or even selectively forgotten. For example, Tommy focused on describing the symptoms of PTSD in the first few episodes. It could have been the reason for his post-war personality change, the sparking point of conflicts with his family, and the source of his desire for warmth. As a result, he never appeared again after reaching the middle of the episode. For example, the relationship between Tommy and Freddie. As a couple who grew up together and were born and died, and became good friends in brother-in-law, Freddie became a communist at the forefront of the trend after the war, and Tommy was bent on legalizing the family business. The potential contradiction in this is basically enough for the audience to fill up a 300,000-word novel. As a result, the screenwriter actually weakened Freddie to such an unbearable degree. Another example is the presence of the police station. Now that the protagonist of the story has been set to become a war hero. The boss of the police is another troubled man like Churchill. Then the police, the hostile organization of Peaky blinders, shouldn't be the fragile and lack of presence portrayed in the series. The boss of the police station is so stupid that he wants to maintain a romantic relationship with the undercover undercover during the mission...It’s almost _(:з」∠)_ In short, the screenwriter has almost nothing in order to reflect Tommy’s Gao Daquan. So I don't use it so much that I don't hesitate to give up the opportunity to enrich other characters. Not only is the head of the police station uncharming, even the head of the hostile family is written as a performance-type personality disorder and the ability to control is so low that even the younger brother who collects the body is not a fool... Except for the countless good plots missed by the screenwriters, there are also many loopholes and ambiguities in the show. For Arthur alone, why is it easy to trust his father who has betrayed the family? Why is the eldest brother not being replaced when the accounts are unclear? Why can Grace easily intervene in family affairs as nobody? Why is the eldest brother psychologically fragile and contradictory enough to die, but he can be pulled back by Tommy's light promise? Why do you choose to hang yourself this way of suicide? ......Such a script wastes the wonderful casts, the dubbing voice actors and the idiot photographers (crossed out). Let a drama that could have been very exciting be reduced to a Jakesu-style romance work. But, although the first season was not very exciting, it ended in a suspense that people didn't expect much. But before going out in the second season, there will be people playing bowls and waiting, the reason is actually very simple. After all, Kirian is really...in
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