Breakfast movie. I've been watching the "Deadly Bend" series with my eyes fixed, but I can't look directly at "Anti-Erotic".
Sono Ziwen's films feature eroticism against eroticism and violence against violence. There is no beauty in his eroticism. In this film, he is a bit like Nolan, creating multiple spaces, and I don't know if it is a reality or a dream; but it is a bit different from "Yesterday", and I can't tell whether it is a movie or a play.
Jingzi has been taught by her parents that sex is sinful and filthy (this may be the criticism of most traditional parents in sex education), but her parents have been making love every day, so she has been living in a closed space of yellow and red Inside, the doors and windows are all closed, only the light from the exhaust fan comes in, and the windows are also added with bars. For her, sex was the unreachable ceiling, until the crack of the chainsaw appeared, which was her sexual enlightenment. All of a sudden, all the colors and colors poured into her world, a very strong sense of impact. She started thinking about incest, about having sex, about making pink movies, her mind or her body getting dirty, because it seemed that in her consciousness sex was dirty. She couldn't accept it and wanted to find an exit, but like a lizard, she entered the glass bottle as a child and couldn't climb out when she grew up.
I seem to see me five or six years ago.
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