Innocent is its person, star is fighting its "shadow"

Rebeka 2022-04-20 09:02:34

Akira Kurosawa's last film is so warm, funny, and moving, it probably incorporates some of Akira Kurosawa's views on death in his later years. When the old professor knelt in front of the lost cat's room and cried bitterly, he was moved by the artist's sensibility, and even more moved by his students' understanding of him, "The professor is very special, he is not like you and me, his sensibility and fantasy surpass you and me. I", so I went all out to help him find it, in fact, I didn't need to say it in lines, and emotional people will naturally understand it. The God of the harvest is himself, and it is because he has taught them that they know how to repay him. I can also see the words Kurosawa gave to the children through the mouth of the professor: "You can find something you really like, and find something you can remember. When you find it, you must work hard and keep it in your heart. At that time, if you want to get this treasure, you must go through a lot of hard work, if you study hard, it will become your lifelong career, and it will be your real treasure.” Looking back on Toad's Oil, I believe that Akira Kurosawa was sincere.

Karson 2022-04-22 07:01:53

The retirement life of an old German professor that began at the end of World War II. Interestingly, the old professor posted at home and verbally declared that he did not like "visitors". Does the visitor here refer to the US military? American soldiers came to inspect when they were gathering, smiled and left. The old professor taught in a boys' school. He directed the collective chorus during several gatherings, including the students who respectfully served him in his retired life. Obviously, it was a power framework. The image of this oriental patriarch was far from the war. (But he teaches German after all), doesn't welcome outsiders, has an old-fashioned witty charm, has a seemingly optimistic but actually tangled attitude towards death, I don't know how much of it is Kurosawa's own situation, and he is lost in the middle of the cat. , The arrangement is a bit long-winded, and it doesn't quite match the character settings. The whole performance still has a very obvious sense of stage routine, including the continuous singing and dancing at the party, and the students who kept reciting the name of the station were too deliberate. The students' performances were also quite powerful. On set. The whole film is mainly indoor play, but Akira Kurosawa's art features are not obvious, only the small courtyard of the new residence shows a little