The real can not be fake, the fake can not be real.
People come and go, and they are all mortals.
Ten thousand feet can't rise from the ground, and people know very well.
When the matter is over, the clothes are gone, and the merit and fame are deeply hidden.
Only "Changing Face" can be compared to "Broken Soul Blue Bridge". It is a more fluid accusation of the times, and the leaves are so silent.
The righteousness of walking the rivers and lakes. An era has passed, and the environment in the arena where Brother Pao invites two people is rare nowadays. Without such people, there would be no such environment.
The same people from the end of the world, why do they know each other when they meet.
Only Liang Sulan and the face-changing Wang Xingxing sympathize with each other, and everyone else is a joy and looks down on our actors.
Playing the joys and sorrows of other people's world, but to be sincere in your own life.
Life cannot be without drama, and life cannot be all drama.
The moment when the living Guanyin Liang Sulan held the dog baby, is a rare legendary image in the history of Chinese film: it is a male dan, half life and half a play; it is a living Guanyin, sending children and empresses, the sky is extraordinary; The two in one are the most like the mother's back.
The unique skill of changing faces, passing on males but not females, Gouwa said, how can I be inferior to my grandson? The face-changing king said, you don't have a teapot spout.
I have no intention of dissent to the patriarchal ideology, which has been the case for thousands of years; face masks were burned, shredded, laughed at by the unscrupulous military masters, and the face-changing king said that the hands should be practiced for ten days and a half months. Also learned!
This scene implies the decline and decline of traditional culture. Since it is a unique skill, how can it be easily learned.
In life between heaven and earth, like a little monkey, it can also be a companion for people; and between heaven and earth, if there is no confidant, eternity will be like a long night.
Don't call me grandpa, call me boss!
Don't call the boss, call it grandpa, call it grandpa!
Yan once watched the Sichuan Opera of the same name, and was also the screenwriter of Wei Minglun. He watched "Face Change" in one breath in the middle of the night, and wrote casually.
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