As the birthplace of modern love, we thought that the age gap has been ignored in France, but this film tells us that this is just an appearance, and the lack of self-confidence caused by our so-called weaknesses is boundless.
Everyone will grow old, the disappearance of the face is indeed regrettable, but this is not the reason for not getting love. But the film is precisely at this point, trying to bring the audience into the ditch.
Love that spans more than 20 years is not something that can be obtained with the touch of a finger, not to mention the difference in the way the two generations speak on social media. If the heroine can really deceive Xiao Xianrou, then she must be well versed in it. The old driver in this way, and the male protagonist falls in love so easily, which also shows that he is completely ignorant of world affairs. If two people in this state can call, it is at best a love imagined by each other. It's okay to have fun in time, let's go forward together, absolutely impossible?
The selfishness, greed and willfulness shown by the heroine in the film, it is logical that she cannot get love. But the heroine's performance as a teacher teaching literature at a French university is unconvincing. People who are deeply immersed in French literature are indeed more able to let go of themselves, but they have never heard of such abandonment of themselves. The film can only be regarded as a fairy tale of the screenwriter's self-satisfaction, and it can't talk about reflection at all, let alone redemption.
Watching the old goddess grow old and abandoning it several times, this also shows that the film does not bring much power. Juliette Binoche should not take on such a scene, her own life will definitely be much richer and deeper than this film.
View more about Who You Think I Am reviews