Some sufferings are not connected.
For example, in the war of Japanese aggression against China, although Pearl Island was also attacked in the United States, the degree of pain was obviously not as profound as that of the Chinese. The same is true for 911.
Some sadness must be felt.
So while we are sighing for the innocent civilians who lost their lives under the Twin Towers, the U.S. government is also hunting bin Laden at all costs. Many people like the heroine gave up everything for blood for blood.
Probably the performance of "Ms. Sloan" by the model worker is so outstanding that she appears to be possessed by Ms. Sloan as soon as she appears in front of the camera. From her voice to her gestures, I always have the illusion that Ms. Sloan ran from Washington to Afghanistan to continue. Her glorious lobbying career, but this time it is not to ban guns, but to arrest people.
The filming method of the documentary is calm and restrained, so the tone of the first half is too dull. It takes two distractions before forcing myself to regain my attention. The killing process scene in the last 30 minutes is a little bit distracting, but all the foreshadowing But to show a known ending - until the last shot.
Under the still pitch-black sky, the female protagonist carried a luggage bag to end her mission and stepped onto an empty plane. She didn't know where she was going. Tears flowed from her line, like a summary of the past days.
The irreversible damage and irreversible loss make war extraordinarily cruel. People involved in a war will suffer decades-long nightmares because of it. What do those who openly infringe others in the name of democracy because of their own selfish desires think? Is there no reason for the extreme events of 9/11? Can't the US government be urged to reflect? Obviously, the reflection of the US government is to take revenge, and then continue to do what it should do.
Before I watched this movie, I had automatically imagined that the film should be the work of a male director. Later, when I found out that it was a female director and Cameron's ex-wife, I was really surprised. It's not that there is any prejudice against female directors, because the subject of war has always been a forbidden area for female directors, so it is inevitable to be surprised. But what I'm trying to say is this: My wish is world peace, and this subject matter will never be repeated.
The tears of the model worker are also an attitude.
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