Almost missed this good movie because of the name. Whether it’s the Chinese name "The King of Speed Cars" or the literal translation of "Ford vs. Ferrari" in S2, I associate it with ordinary popcorn movies. But when Matt Damon’s night racing scene came out, the high-speed retreating road and the flickering light made me, a mild claustrophobic patient, feel suffocated for a while, and I felt that this might be a good one. play. One of the criteria of a good movie is to make the audience feel immersed. And to do this, you must first work hard on the path of service. "Speed King" is based on the story of the famous American race car driver Ken Miles and car designer Shelby in the 1960s. In the movie, whether it is the vicissitudes of Ken Miles's face, Shelby's inextricable cowboy hat or the rough track reflected in the sunset, it makes people feel like they are in the retro feeling of the United States in the 1960s. The performances of the two protagonists complement each other. Who is more suitable for the roles of Myers and Shelby, the two aggrieved brothers, than the two Oscar uncrowned kings, Christian Bale and Matt Damon! The settings of these two roles are very interesting, and the role images are reversed. Miles pressed his lips tightly when he played, and his spine bowed slightly like a stubborn Englishman. When he was banned from the game for the first time, a person in the garage listened to the lonely scene of the game broadcast, and his stubbornness was gradually collapsing. Until finally agreed that the three cars will be parallel, this role presents a retrograde development. On the contrary, Shelby's role has been progressing. In the beginning, Shelby was a squeaky guy, with the pride of a racer, but was forced to live a job of buying a car by fooling people, like a crowd of people drifting with the flow. In the mid-term, in order to obtain qualifications for Miles, negotiate with Ford II. In this scene, Shelby's posture is humble, but his eyes are firm, his tone is submissive, but his words are sharp. In the end, Shelby completely broke the rules and encouraged Miles to win the championship, and his image changed completely. These two characters just form a reverse complementation, which also fits the brotherhood of Miles and Shelby's mutual achievements. And the performances of the two actors are relaxed and complementary, and the return to the basics shows no trace of the performance. Oscar owes you two golden figures. The racing scene in this film is very heavy, especially the final Le Mans Rally takes up almost 30 minutes. Repeated track shots are often prone to visual fatigue to the audience, but the director uses multi-view and multi-camera shooting, through the parallel perspective of the vehicle, the subjective perspective of the driver, the perspective of the audience and the gods of the stand, and the fast-paced editing to avoid the monotony of the lens. , It also strengthens the audience's sense of immersion. And what impressed me most is the director’s scheduling ability and the craftsmanship of the entire crew Human spirit. All the racing scenes in the film are all real shots, and professional players who have participated in the Le Mans Rally drive the modified racing cars to assist in the shooting. In order to present the real crash scenes, the crew really built vehicles according to the models of that era to complete the real crash scenes, even Even the racing pictures in the rain at night are all genuine. In this age where CG can almost be fake, there are such old-school filmmakers who stubbornly compete with the camera, just to make every frame of the picture strive for reality, and let the audience experience the game in the roar of high-speed wheels and engines. Violent aesthetics. The whole movie is based on the commercial battle between Ford and Ferrari. In fact, the core lies in the ideological conflict between Ford’s leadership and car designers. This movie can be seen as an elegy to an idealistic hero. When Miles set a lap time record and used a set of slow motions to show his inner struggle, whether he was fighting for glory or bowing to capital, he was still Choosing a compromise, and the result of the compromise is to lose the honor of achieving the three major track championships, and he will never have a chance to achieve it in his life. As Ford executive Leo Bebe said, Miles is not from Ford because he is too "pure." Such "pure" people are often not favored by capital. "Pure" people only have love in their hearts, and there is no balance of interests. It's like a musician who is struggling with notes, a scientific researcher who is struggling with data, or like the main creative team of this play. The movie did not cater to the big box office special effects scenes, but tried to finely restore the details of the racing car from design to build, using large-scale literary dramas to portray characters. The whole movie is 152 minutes. This length of time is very unflattering on the theater line. It can be expected that the theater line will not give too high a row of films. The final ending is often not a good one. As the main creators, they have already understood this truth, but in order to present the best artistic effect, they did not choose to compromise with the market. This is just because of their perseverance and love for film art. Miles in the movie eventually lost to capital, but there are many such "pure" people fighting for idealism outside the movie. May all the old boys and girls have their ideals and blood forever! This violent aesthetic. The whole movie is based on the commercial battle between Ford and Ferrari. In fact, the core lies in the ideological conflict between Ford’s leadership and car designers. This movie can be seen as an elegy to an idealistic hero. When Miles set a lap time record and used a set of slow motions to show his inner struggle, whether he was fighting for glory or bowing to capital, he was still Choosing a compromise, and the result of the compromise is to lose the honor of achieving the three major track championships, and he will never have a chance to achieve it in his life. As Ford executive Leo Bebe said, Miles is not from Ford because he is too "pure." Such "pure" people are often not favored by capital. "Pure" people only have love in their hearts, and there is no balance of interests. It's like a musician who is struggling with notes, a scientific researcher who is struggling with data, or like the main creative team of this play. The movie did not cater to the big box office special effects scenes, but tried to finely restore the details of the racing car from design to build, using large-scale literary dramas to portray characters. The whole movie is 152 minutes. This length of time is very unflattering on the theater line. It can be expected that the theater line will not give too high a row of films. The final ending is often not a good one. As the main creators, they have already understood this truth, but in order to present the best artistic effect, they did not choose to compromise with the market. This is just because of their perseverance and love for film art. Miles in the movie eventually lost to capital, but there are many such "pure" people fighting for idealism outside the movie. May all the old boys and girls have their ideals and blood forever! This violent aesthetic. The whole movie is based on the commercial battle between Ford and Ferrari. In fact, the core lies in the ideological conflict between Ford’s leadership and car designers. This movie can be seen as an elegy to an idealistic hero. When Miles set a lap time record and used a set of slow motions to show his inner struggle, whether he was fighting for glory or bowing to capital, he was still Choosing a compromise, and the result of the compromise is to lose the honor of achieving the three major track championships, and he will never have a chance to achieve it in his life. As Ford executive Leo Bebe said, Miles is not from Ford because he is too "pure." Such "pure" people are often not favored by capital. "Pure" people only have love in their hearts, and there is no balance of interests. It's like a musician who is struggling with notes, a scientific researcher who is struggling with data, or like the main creative team of this play. The movie did not cater to the big box office special effects scenes, but tried to finely restore the details of the racing car from design to build, using large-scale literary dramas to portray characters. The whole movie is 152 minutes. This length of time is very unflattering on the theater line. It can be expected that the theater line will not give too high a row of films. The final ending is often not a good one. As the main creators, they have already understood this truth, but in order to present the best artistic effect, they did not choose to compromise with the market. This is just because of their perseverance and love for film art. Miles in the movie eventually lost to capital, but there are many such "pure" people fighting for idealism outside the movie. May all the old boys and girls have their ideals and blood forever! If you are not pleased, it can be expected that the theaters will not give too much film output, and the final outcome is often applauded. As the main creators, they have already understood this truth, but in order to present the best artistic effect, they did not choose to compromise with the market. This is just because of their perseverance and love for film art. Miles in the movie eventually lost to capital, but there are many such "pure" people fighting for idealism outside the movie. May all the old boys and girls have their ideals and blood forever! If you are not pleased, it can be expected that the theaters will not give too much film output, and the final outcome is often applauded. As the main creators, they have already understood this truth, but in order to present the best artistic effect, they did not choose to compromise with the market. This is just because of their perseverance and love for film art. Miles in the movie eventually lost to capital, but there are many such "pure" people fighting for idealism outside the movie. May all the old boys and girls have their ideals and blood forever!
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