That's the magic of movies

Zion 2022-03-15 09:01:03

A good movie can have a grand world view and a complex background, such as The Matrix. It can also be as simple as describing the 25 hours before a person goes to jail.

The main theme of the film is "transcendence". In that extra hour of the day. Everyone can imagine their own life and escape objective reality. The male protagonist, Monty, fantasizes about escaping from prison, running to the American West in the outdoor paradise, no longer being a criminal, and living his life like an ordinary person. The rich friend of the male protagonist imagined that if he had advised the male protagonist to wash his hands early, he would not end up where he is now. College teacher loves her hot student and fantasizes about kissing her. Schoolgirls fantasize about escaping reality and writhing on the dance floor. The hero and girlfriend fantasize about the scene where they met him for the first time. The dog named Doer imagined that he was rescued by a kind-hearted person and lived a life of being walked by someone again.

It doesn't matter if everything in the footage is real or fake. The important thing is that we can all feel the "detachment" that the director wants to convey. Also, the fear of prison.

Is the prison really as scary as it is described in the movie? Going in is like committing suicide.

At first I thought that only American prisons were full of violence. Later, when words such as "washing face to death", "skeleton death" and "hide-and-seek incident" came into my eyes on the Internet, I realized that once a person is deprived of his freedom of life. His life was of no consequence.

The film didn't show the violence in real prisons, but it made me fear prisons.

Five stars, given.

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Extended Reading

25th Hour quotes

  • Kostya Novotny: [as he arrives late for the party] So how can you start this party without me?

    Monty Brogan: Oh shut up, you fat Russian fuck!

    Kostya Novotny: Fat UKRANIAN fuck!

  • Mary D'Annunzio: I wanted to know why I got a B minus on my paper.

    Jakob Elinsky: You got what you earned.

    Mary D'Annunzio: Nobody else in that class can write! You know it! I know it! Everyone knows it!

    Jakob Elinsky: Don't worry. You're not competing with them.

    Mary D'Annunzio: Yeah. But I am. Okay. I am competing with them. When you apply for college, you might have heard of this, they look at these things called grades and if your grades aren't good enough...

    Jakob Elinsky: Your grades are going to be fine.

    Mary D'Annunzio: Vincent Phiscalla writes a story about his grandmother dying and you give him an A plus. And meanwhile, the night of the funeral, you wanna know where Rhodes Scholar Vince is? Getting smashed at a basketball party and slapping girls asses. I mean, what is that? A charity A+? You wanna know why everybody always writes about their grandmothers dying? It's not because it's so traumatic. It's because it's a guaranteed A+! And you sit there all sentimental "Oh, Vince it was very powerful, very moving." No, it wasn't. You didn't care. Nobody cared. That's what grandmothers do. They die!

    Jakob Elinsky: Sometimes, guys have a hard time showing their emotions.

    Mary D'Annunzio: So, slapping my ass is a way of mourning his dead grandmother?

    Jakob Elinsky: [points to Mary's stomach] What did your mother say when you got that?

    Mary D'Annunzio: Um, she said, "Where did you get the money for that?"

    Jakob Elinsky: And?

    Mary D'Annunzio: What did I say or did I get the money?

    Jakob Elinsky: What did you say?

    Mary D'Annunzio: I said, "He likes me."

    Jakob Elinsky: Does he?

    Mary D'Annunzio: No. Why do you care so much?

    Jakob Elinsky: Just curious.

    Mary D'Annunzio: So, you're not gonna change the grade?

    Jakob Elinsky: No, I'm not going to change the grade.

    Mary D'Annunzio: Great! You know what, this was a big waste of my time!

    Jakob Elinsky: Wait!