Yesterday, I watched director Tsai Ming-liang's time on your side. It is true that the early works are like the youth, hot, but not so stable In terms of color, Hou Hsiao-hsien has his childhood and loves the past, Lu Xuechang has grown up, Jia Zhangke has Ren Xiaoyao, Wang Xiaoshuai has a seventeen-year-old bicycle, Yang Dechang has the juvenile murder in Guling Street, Tian Zhuangzhuang has the blue kite, and Lou Ye has the Suzhou River. . . . . . . In Taiwanese social movies, the rumbling of the city also has a certain color of Yang Dechang. It belongs to the records found in Taipei at that time. There are not many lines of Li Kangsheng. It is in sharp contrast with A Zhe, and it is also reminiscent of Jin Ji De's empty room and Zhang Yimou's father and mother. , the film was originally silent, and the camera language accounted for 70%. Some people said that the water overflowing on the ground symbolized sexual desire. It can be explained: when A Zhe and A Gui were excited in the hotel, Nezha had already completed his own replacement for his father. The mission of revenge - Interestingly, Nezha's "true identity" was learned by his mother through the mouth of a Taoist priest. The mother told his father who came back from work late, and said "Nezha hates his father the most", but , although still misunderstood, the son also completed the grievance for the father
On the camera lens, the passage of time can be seen through a fixed camera and a larger view. There is already a harbinger in this mountain.
The good boy and the bad boy may be rebellious. The former is not less lethal than the latter when he is crazy.
The tragedy of A Zhe and A Gui also tells the lovers that the provision of a stable family life is a necessary and not sufficient condition for a long time
Good night
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