The story is not simple, the scene is not simple, a small room, a corner of the park, a cafe, and finally back to the small room. In a very limited scene, Rohmer produced a sense of suspense and absurdity, and turned it around with a photo at the end. The content of the dialogue is skewed towards the flow of life and emotion, rather than Rohmer's signature philosophical class.
Francois has no dignity in front of Anna, and his dog-licking attributes and mediocre, weak character are destined to make it difficult for him to become an impressive lover. When he accidentally saw Anna and her pilot boyfriend Christine come out of Anna's house, when he questioned Anna and expressed his jealousy in front of Anna, Anna was extremely impatient with him and had a bad attitude, as if he didn't care about his hurt heart. Even if Francois misunderstood, Christine went to Anna's house to break up with Anna, but Anna was too lazy to explain too much at this time. Anna loves Christine, but Christine is a family man, so Anna is also doomed to misery.
When François stalks Christine and the blond we meet, we all think the blond is his wife. He came to the park with Lucy, a 15-year-old girl he met on the bus, and used Lucy as a cover to monitor Christine and the blonde. Rohmer added a lot of "unrelated" plots to the scene in the park. Christine and the blond woman sat in the park and did nothing, just sat quietly. Instead, it was Francois and Lucy. He did all kinds of things, held various dialogues, and left the elements of suspense behind. It was quite similar to Godard's "Outlaws" and Truffaut's "Shooting the Pianist". Francois first pretended to be a private detective in front of Lucy, and then confessed his true identity and emotional life. Lucy tried to get tourists to take pictures of herself and Kristen and the blonde in the photo, but failed. They tracked down to a law firm, and then the two sat in a restaurant across the street to logically reason and analyze Christine's relationship with the blonde woman. There seems to be some vague feeling between Francois and Lucy, especially Lucy's overzealousness makes the dialogue between the two exude an ambiguous taste.
In Anna's small home, Francois was once again swept away with dignity, not allowed to touch, not to hold, not allowed to approach, was driven away, and was called back. Anna vomited and vented in front of him, complaining about her love troubles with Christine. Under the extreme sadness, he longed for Francois's arms. Francois was like an inflatable doll and used it whenever he wanted.... Anna took out a photo of Christine and his wife, There are Kristen, a blonde woman, a brunette woman and another man in the photo. As a result, the blonde woman everyone thought was not Kristin's wife, his wife was a black-haired woman... This last pilot's wife turned the whole story upside down. Who is the wife? Whether Christine lied or not, the film does not give a clear answer, so the story has more interpretation.
After being trampled on his dignity and kneeling and licking again and again, Sorençois finally fought back. After he saw the photo, when he wanted to expose Kristin's secret, he only told Anna about his chance encounter with Lucy and the heated conversation between the two, but he didn't tell Anna about his stalking behavior. To find balance and build his own charm, so he hides the information, which also makes him more confident. But when he finally sees Lucy kissing young men on the street, he's once again the doll that comes and goes. Lucy is just seasoning her life at a certain moment by chance encounters with him, François is just a condiment and can never make a main course...
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