things in life

Vickie 2022-02-07 14:53:07

I watched the long-admired "White Oleander". It's not very long, 1 hour and 39 minutes, but it feels like more than 2 hours, which shows the slow rhythm. But it can still be said to be good-looking, because the 4 of them are all blond beauties.
The heroine is an underage girl whose mother was convicted of first-degree murder and sentenced to 35 years in prison. Since then, she has spent the years before her adulthood in a nursing home and a juvenile care home. During this time, her mother never gave up her control and control in prison until she became an adult.
In addition to the girls, the other three mothers are Hollywood veterans: Michelle Pfeiffer, Robin Wright Penn and Renee Zierweig. All are blond, tall beauties. Moreover, not only beauty, but also wisdom is recognized. So from here it can be seen that this is a film with strong female power.
The first adoptive family ended with a shooting, and the second ended with the adoptive mother's suicide. On both occasions, the girl was the party involved and was an eyewitness at the scene.
In the nursing home, she talks to the boy who likes her——
"Where's your mother?" "She's in jail for murdering her boyfriend."
"Where's your father?" "I've never met him."
" Cool!" "Yeah, so cool!"——This is the conversation between my cousin and I who are watching a movie.
It was an unimaginable encounter and life for people like us who live a stable life. Suddenly, my mother was taken away from the house by a group of strangers, suddenly she was sentenced to 35 years in prison, and she was suddenly sent to a stranger's house, living under the same roof with a group of people she had never met. In the film, except for the first night, the girl sat under the eaves and cried silently, and she was never seen crying again, even after being hit by her adoptive mother! Then, the second foster family, with a very good material environment, loved her adoptive mother very much, but because of the emotional breakdown with her husband, she committed suicide by her side.
In such a life, she has no alcoholism, no drugs and no promiscuity. (Her drug use is deliberately downplayed in the movie.) She graduated high school and ended up going to New York with her boyfriend to become an artist like her mother (and as she hoped). At the end, she arranges her own experiences in boxes, from which I infer that she is a modern artist. This is a lens I like very much, and maybe in the hearts of many people, there will be such a box.
After watching the movie, I felt the strength of life, although sometimes it is very fragile, but its strength is always beyond my imagination. I have always admired the power of women. As Lin Yutang said, women are the creators and protectors of the world. The Chinese have said that the most soft is the most rigid, and that's what it means. Sometimes, the power of destruction is so unpredictable, but there is always another force, although it may be weak, but it still stands before the mountain collapses, and it will always exist in life.
But there is another thing in life that is always there. In the play, the mother said to her daughter, "Loneliness is human nature, and no one can fill this void."
Michelle Pfeiffer's eyes are a light blue, so light that you almost suspect she is blind. In the film, the blue scriptures on her forehead are prominent, showing a kind of strength of years, that kind of firm eyes, people can't resist.

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Extended Reading

White Oleander quotes

  • Astrid: How long were you gone?

    Ingrid: About a year, give or take a few months.

    Astrid: My God.

    Ingrid: You're not asking the right question. Don't ask me why I left. Ask me why I came back.

    Astrid: You should have been sterilized.

    Ingrid: I could have left you there, but I didn't. Don't you understand? For once, I did the right thing! When I came back, you knew me. You were sitting by the door, and you looked up, and you reached for me. It was as if you had been waiting for me all along.

    Astrid: I was always waiting for you, mother. That's the constant in my life. Waiting for you. Will you come back? Will you forget that you tied me in front of a store or left me on a bus?

    Ingrid: Are you still waiting?

    Astrid: No. I stopped when Claire showed me what it felt like to be loved. What did you think, that I would amuse you? That's what babies are like, mother. What'd you think? We'd exchange thoughts on Joseph Brodsky?

    Ingrid: I thought Klaus and I would live happily ever after. That's what I thought, Adam and Eve in a vine-covered shack. I must have been out of my mind.

    Astrid: You were in love with him.

    Ingrid: YES, I was in love with him. ALRIGHT? I was in love with him, and baby makes three, and all that crap!

    Astrid: Then why did you leave him? Why did you leave him?

    Ingrid: I didn't leave him! He left me. You wanna know about your father? He left us when you were six months old for another woman, and I never saw him again until he showed up looking for you when you were eight years old.

    Astrid: He came to see me?

    Ingrid: Yes, he came to see you but it was a little late, wasn't it? Why should I let him see you after what he did to me?

    Astrid: Because it wasn't about you! It was about me, and I wanted to see him! My whole life, I've wanted to see him. That decision was MINE, not yours. Everything's always been about you, never about me. I knew you were gonna kill Barry, but you didn't even care. You didn't give a damn about what that would do to me. I'll say whatever Susan wants me to say, but I gotta get outta here.

    Ingrid: No! No, no, no. You don't just walk away from me. I made you, I'm in your blood. You don't go anywhere until I let you go!

    Astrid: Then let me go. You look at me and you don't like what you see, but this is the price, mother. The price of belonging to you.

    Ingrid: If I could, I'd take it all back. I would.

    Astrid: Then tell me you don't want me to testify. Tell me you don't want me like this. Tell me you would sacrifice the rest of your life to have me back the way I was.

  • [last lines]

    Astrid: No matter how much she damaged me... no matter how flawed she is... I know my mother loves me.