The movie is divided into four sections. In the first section, the elevator explodes. The second section of the bus was racing on the highway. In the third section, the bus airport makes a circle. The fourth section, the subway.
The plot is a bit buggy, so it can't be regarded as a lot of color, but has already turned a lot of commercial films and successfully turned the leading star Keanu Reeves into a first-line superstar.
Because this piece is really exciting and handsome.
Let me raise a question first: the two sections of the bus and the subway are almost copied and pasted-there is a road in front that has not been repaired, and it is very square.
Someone suggested it, but when I watched it, I didn't play at all, or felt aesthetic fatigue.
There is an answer to this question next.
When I watched it, because of the phone, I quit watching the black screen in about 30 minutes or 50 minutes, and then my roommate came back a little more than an hour, made a call in ten minutes, and then fast forwarded a few paragraphs by myself. A somewhat ambiguous conversation with Annie. I didn't watch it all in one go, but when the ending cast and crew came out, he breathed a sigh of relief and then silently covered his little heart.
Thieves excite.
It's exciting.
Energetic throughout, energetic throughout.
Every section is so powerful that it kills people. When Harry went to find the villain and entered the house halfway, he guessed something might happen in such a beautiful place according to the routine, and it exploded, but I was still shocked when it exploded.
Basically, they use continuous thrills and dangerous actions to stimulate the audience's brains and eyeballs-they succeeded. In the 1994 movie, boomomboom soared a bus into a thrilling and thrilling ride, like driving a shark in a motorboat. The stimulus points are arranged very densely. After this is solved, one hits one, and the problem comes again. It is almost impossible to feel the passage of time when looking at it. The only thing that is not so good is that the preparation for the relationship between the male and female protagonists is a bit awkward, and it is probably time for the audience to drink water.
What do you want to do when watching an action movie, look for excitement, the excitement is there, the logic is fair, the film is a success.
And 30-year-old Keanu Reeves is really handsome.
(Let’s praise the handsome throughout the whole process, I can’t stand it, because it’s really just how handsome I was in Kwakinu Reeves throughout the whole process)
From the face to the figure, the beauty is earth-shattering and indignant. Look at some small news and gossip, and mentioned that a popular hairstyle in the United States came from here? No matter, but he is really handsome.
Keanu's acting skills are okay when he is still, but he collapses when he moves. The big white rabbit Anderson and Leng Leng Leng Leng Leng's savior in The Matrix, as well as the answering questions in john wick, a yeah, can do the rose is very suitable for him. Here Harry died and his rage was embarrassing. But it won't make people think that this is Keanu Reeves and not SWAT Jack. . .
Forget it, I don't understand what kind of form his acting actually exists. But the acting skills are enough, even if the acting skills are "barely enough" in commercial films, they are enough anyway. As long as there is his face.
He can also be regarded as a major component of the exciting content of the film.
Counting several blockbuster movies by Keanu Reeves, the "Breaking Point", the first peak of his career, "The Speed of Life", and the second peak of the series "The Matrix", which made him a favorite by the director of Speed of Life and Death, I have to say, Some things are really subtle.
In "Breaking Point", he went surfing. In addition to close-ups of his face in the whole film, he was wearing his tight-fitting black and purple surfing suit. The details go to the end to the surf and the sun is tanned, and several special close-up shots show the changes in skin color.
"Speed of Life" features close-ups of various facial and arm muscles, and the three sets of clothes, even the straightest male-style plaid shirt white T, have to show off the chest muscles and forearm lines.
In the "The Matrix" series, the full-length trench coat has tight tops, trousers, boots, thigh buckles, pinched waist trench coats, fluttering and fluttering skirts. The first part played against Smith before and after awakening, and his waist and legs were as superior as his legs.
It can only be said that the wood of acting is covered with handsome peppers, and the whole person is still too hot.
The director here also knows how to take advantage of actors. Unlike other action movies, most of the protagonists amaze the audience. Hand-to-hand combat focuses on the collision of force and force, explosions and explosions, stimuli and stimuli. But in the speed of life and death, the protagonist himself wants to amaze the audience.
Other big male protagonists, the excitement is that they are fighting, and the moves are inextricably difficult to distinguish. They are so happy.
The excitement of this great male protagonist is that he appeared on the screen by him.
The actor itself should only serve the plot, and use the psychology and action behavior from the performance to promote the plot.
But here has become a plot to make behavior appear, plot bugs do not matter if the focus is on behavior.
Recall that the main bus racing in the middle has a sense of "big scene". First, it leapt through the gap, and then what? How many rear-view mirrors did the bus crash farewell? How many cars, sports cars, big planes are hanging? In the end, the bus and the plane crashed into a fire, and the rest of it can't be regarded as a big scene.
I probably remember Jack chewing gum, Jack shooting, Jack's arm muscle exploded, Jack's dirty face and all kinds of colors, Jack was dying but not dead under the car.
Attention follows the hero himself. When Keanu Reeves tries to show that the current situation is very urgent but the performance is not so urgent, in the eyes of the audience: It seems that Jack has a calm personality and a good policeman.
When he faced Harry’s death, his heart was furious, but he could only be incompetent and furious, and the scenes he performed were very childish and funny, the audience (me) saw: very personal and very irritable, even a policeman, he is just a child. .
Even when the villain didn't know how to escape and he was blown up for a short distance, the key point was: He was blown up, and it hurts if he was not injured. Instead of: Fuck, the villain ran away? Are you still alive?
The villain in the back just accepted it when he was alive, oh how he was alive, he took care of so many things, and he was done.
The acting problem is ignored, the plot problem is ignored, most of the composition of the story is ignored, and only the male lead is left. The male protagonist is angry, the male protagonist thinks of a way, the male protagonist answers the phone, the male protagonist drills the bottom of the vehicle and almost died, the male protagonist is not dead, the male protagonist thinks of a way. This is especially true for the section of the subway. The male lead is found, and the male lead is fighting against the opposition party. The good villain's head is turned off. The cause of death has been laid by the male lead and avoided the previous one. Let’s just leave him alone and continue to watch the male lead. .
then:
The police are like a tool man.
The female protagonist is a tool person: you are responsible for driving, and the male protagonist will solve conflicts and find ways to command and be handsome.
Passenger tool man: Promote the plot? No, promote male protagonist action.
The villain is simply a tool man in a tool man: existence means keanu reeves can shoot in various states of the lens.
But who makes Keanu Reeves so handsome.
Going back to the beginning, the subway and bus speed up. The two stalks are almost exactly the same. The screenwriter writes this directly, and the director shoots it directly. Are the audience fools? No, the two-hour movie is connected with two segments so that the blind and deaf can't find it? Messed up? This film was very successful.
Because in the first segment, when the bus flew, Jack was commanding sonorously and powerfully, and this bridge segment appeared very fresh for the first time.
In the second paragraph, the focus is on whether my mother, the hero, will die or be injured. Old bridge? I'll take care of you, my heart can't stand it ah ah ah ah-survived? Phew... excitement.
Exciting~
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