As soon as "Frozen" was released in 2013, it was immediately red to purple. Everyone said that Elsa was too sassy, and Anna was too innovative if she didn't find the prince to find the reindeer kid. Ok? ? ? I wondered about my sister’s cold and violent treatment of my sister for more than ten years. The sisters had a displeasure and did not explain clearly. Elsa ran away from home and ran to build a castle in the forest. She had to ask her sister to look for it on the ice and snow to find the prince who would be blackened in the future. , After winning, the sisters embraced each other. Do we have to trigger these contradictions to make everyone happy?
No intention to belittle, the story of "Ice" is good-looking but a bit off the track.
In contrast, the story of "Tangled" (No matter how it is called Romance ⊙0⊙, translators are really lazy), also produced by Disney in 2010, is much smoother. The animation's real name is "Tangled", which not only symbolizes the entanglement of hair, but also the entangled feelings and complicated situation.
How complicated? The development of the Disney Princess series to this day is no longer simply talking about the journey of love of big-eyed blonde women, but more and more politically correct-advocating ethnic minorities, feminism, and catering to cute aesthetics. "Tangled" is no exception. But it is no exception, there are exceptions, let's listen to the biscuit in detail.
Anti-routine setting
The princess is no longer a princess
The birth of Princess Le Pei originated from the golden magic flower. This flower can make people rejuvenate and bring back to life. It is the secret of the witch Gauser to maintain her youth. The queen was sick during pregnancy, and when her life was hanging by a thread, the king sent someone to gather the magic flower. Therefore, Le Pei became the incarnation of the magic flower, with blond hair and magical powers. Without the magic flower, the witch quickly aged. She wanted to steal the blonde hair, but she lost her magic power once the blonde hair was cut, so the witch had to take the princess away and imprison her on the tower.
The princess is a flower, which is a wonderful metaphor. The girl who has been hiding in the tower for 18 years without contact with the outside world is a greenhouse flower. She recognizes a witch as a mother. The girl who has lost her status as a princess can't help but wonder, who am I? Why didn't my mother let me out of the tower? Every year on my birthday, what does the inevitable sky lantern have to do with me?
The fog is full of fog, pointing to the princess's personal identity crisis.
The prince is no longer a prince
The setting of the hero in "Frozen" as the reindeer kid is not the first. As early as 1992, "Aladdin", the prince withdrew from the stage of competition for the C position. When it comes to "Tangled", the commoner male protagonist shines again. Not only was Eugene not personable, he was full of lies and rogue.
When I first saw Le Pei, he submitted a pseudonym and tried to use a beautiful man's trick with his sword eyebrows, but he was stunned by a saucepan of Le Pei. He stole the crown agilely, and even teased the guards of the imperial court when he arrived, the foreign version of "Pirate Saint" jumped onto the screen. Disliked the wanted order and made himself ugly, and vowed to live in the palace and rise to the pinnacle of life. The image of the scumbag was unobstructed.
When the male protagonist acts against the "prince", what kind of sparks can he and Le Pei collide with?
The witch is no longer a witch
Traditional witches specialize in self-interest and detriment to others, but Goser, the witch, is a different kind of firework. Although she coveted the magic of Le Pei's hair and imprisoned Le Pei for eighteen years, her love for Le Pei is undeniable. Le Pei went to find what he wanted for three days and three nights. Le Pei liked the bad boy Eugene, and she persuaded her to resort to bitter tricks when she failed. She was the old mother who had broken her heart for her children.
Talking about these unintentionally whitewashing the witch Gauser, in the final analysis, she stole the princess and was like a "human trafficker". However, the shortcomings of traditional family relations are exposed in the way of getting along with Gauser and Le Pei. Mere exposure is not enough. The film wants to go further, and is intended to give all the audience a heart attack-overprotection is tantamount to cutting off the wings of a child, and will only run counter to the original intention of Aiko.
Robber is no longer a robber
Have you ever seen robbers talk about dreams? Have you ever seen a robber let you go because your dreams are truly moving? Have you ever seen robbers and your enemies at times of crisis?
Joking is not nonsense, and fairy tales are not nonsense. Robbers have their own tenderness, and the dream journey of the little man is worthy of fun. In order to explore the many facets of human nature, Disney can be described as deliberate. When dreaming of a fake sky, how to resonate with your opponents and reverse the unfavorable situation, Tangled will help you find the answer.
Hummer is no longer a Hummer
Minions, Pikachu, Huba, and Xuebao take turns to play, the era of popular sales is coming, "Magic Hair" will give you a change of taste. Tsundere Hummer comes on stage, has an excellent IQ and a keen sense of smell, defending the crown and guarding the princess, and he has done his best to the country. In the early stage, you fought with Eugene to the point of death and death, and helped Eugene escape his birth at a critical moment. The change in the relationship between one person and one horse is the biggest attraction of the whole film. For the best supporting actor Hummer, this princess movie is also a must-see.
Orgasm is no longer an orgasm
Generally speaking, defeating the villain is the climax of the whole film. But in "Tangled", the climax is repeated. There is no need to mention how wonderful the scene of fighting and chasing is. Just talk about the song and dance drama of the princess after she crosses the tower, free and unrestrained intertwined with lover's self-blame, dream symposium and thrilling escape.
Just talk about the magnificence of flying sky lanterns—suddenly people become twins, stars and moons full of sky. Before the end of the grand scene, the witch Gauther's making things difficult followed one after another, and the lovers were forced to separate.
Just talk about Eugene's death and Le Pei's haircut, the audience went from expecting to despair, and then hope was blooming out of despair.
Just say...don't say it, please go to see the original film.
Anti-traditional Three Views
Unfortunately, the male protagonist Eugene has a moral stain. It doesn't matter if it is a thief, he can't do it authentically as a thief. On the way to escape, he deceived his companions, just to get rid of the pursuit and swallow the diamond crown.
Is it bad? It's broken! Such a person is not worthy to be a leading actor, what should I do if I teach bad kids?
Slowly and slowly, look back to see the transformation of the leading actor. He was a prodigal son at first, and his greedy nature made him treachery. Later, he threw down the crown for Le Pei's sake, and in order to prevent Le Pei from being used and suppressed, he would rather give up his life to help Le Pei cut the shackles. Has he changed for the better? Of course. And the prodigal son turned his head, better than Jinshan Yinshan.
Look at his fellow thief, who sold out for the treasure many times and persecuted Eugene, can we understand that the thief's business is intriguing. Only those who can withstand the temptation can get rid of the shackles of thief status and gain the favor of fate.
Anti-male chauvinism
The most talked-about point of "Frozen" is that the prince is written as a villain. The avoidance of stereotypes really makes people's eyes shine. It is really boring and prejudiced that women always play bad roles such as witches and stepmothers. "Tangled" is even better. It interprets the psychology of the characters in a deep level. All characters have their complexity and multi-facetedness-bitterness may not come from good intentions, and evil people may turn to good.
The princess is no longer a weak existence. She took the red wolf pan (by mistake), tied her hair on the pulley and jumped off the tower, threw it over the cliff, and took the hero Eugene out of danger by the way, my God, The woman's power is overwhelming, she saved the man!
Of course, many people are dissatisfied with the ending. Le Pei is married. Then she must not be a thorough feminist. Look at Hua Mulan and the heroines of Pocahontas and Pocahontas. They are only considered single if they are single. The rectification of feminist rights. Ok? ? ? What is this fallacy? Feminism Feminism, women have the right to decide everything about themselves. Getting married is a choice, and not getting married is also a choice. There is no distinction between high and low. When did not get married become the standard for feminism, and you can overlook the heroes if you do not get married?
Having said that, love is still the eternal theme of Disney movies. This film can't avoid the vulgarity. It has been "reversed" so much, and the only thing that is not reversed is "love." The love of parents, lovers, friends, and even the slightly perverted love of witches can be found in reality. This kind of mirror image contrast is the most rare. After all, only works that are grounded can be deeply rooted in the soil that loves it.
This film can certainly educate children-love is far from omnipotent, but love is a medicine that heals wounds, eliminates misunderstandings, and leads people to goodness. Love will tell you that there is no reason, I am willing to light up three thousand lamps for you, year after year!
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