The story is not a novel, the tactics of spy warfare; the world view is not novel, totalitarian rule after the end of the world; the character setting is not new, the awakening of elites within the enemy, but the use of colors and the splicing of actions are exciting. Calculating the colorful elements, through the fusion of the two into a brilliant commercial film. The cool tone runs through every shot in the film. It is the only color in the doomsday and the inner color of the protagonist. The change of color will only appear in the shots where the character’s emotions are touched. Emily is the red of flames, the bishop’s The color of the room is the same as the room where the rebels secretly hide, which clearly implies the inner activities of the character. Even such a simple lens language is not visible in every movie. The splicing of the action is clean and neat. It is not an innovation. It is more like reducing the sense of science fiction in "The Matrix" to make the audience believe that the limit of the human body can reach "gun art", at least in a dark and cold apocalypse. In, a fighting skill that a person who is artificially shielded from all emotions can achieve after mechanizing his body and mind. The color atmosphere and action settings are all serving the characters and the theme of the story, which is telling the story with the lens.
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