Personally, I think this can be regarded as Quentin's turnaround. After seeing it, I just wanted to applaud, because I resonated: "In today's society, who is a good person and who is a bad person, who can tell clearly, and who dares to pat his chest and say that I am a good person, and I am a victim?" Maybe it wasn't the resonance Quentin was expecting, but I did feel it.
It's still a long conversation, but this time it's a woman. Feels a little weird, but okay. The description of the plot of the killer's murder is not as detailed as the traditional crime genre films, or it should be said that the way the killer kills is not a marathon. I used to think that all perverted killers enjoy the killing process slowly, but it turns out that the momentary pleasure is not bad! Haha
, halfway through the movie, the killer turned into a weak running away, it made people feel so helpless, I even felt sympathy a few times, I think this is Quentin's very successful part. Turn a killer into a victim without leaving any traces.
The most impressive plot is the four girls he killed for the first time, using four shots to show how the four people died. Cruelly convey the blood and perversion to everyone without reservation and omission. First of all, I'm not a pervert, but I was very excited when I saw this.
There are many shadows of previous films in this film, such as the ringing of the mobile phone and the two policemen in the hospital. It felt as if Quentin was telling the audience, I'm Quentin and this is my film. Although the personality is distinct, I can't help but feel a little contrived and feel the traces of a director. But a director's style shouldn't be so bluntly expressed. Not showing any traces is the best policy.
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