The eyes of the three old play bones

Alexa 2022-01-25 08:04:46

It can be said that there are too many feelings, such as the triple narrative structure, the promotion of the atmosphere by the main timeline, the actions and eyes of the actors under the age-down technique, the motivation of the characters, the contradictions between each other and so on. Let’s talk about the eyes that impressed me the most by the three old opera bones.

Joe Pessi’s Russell aura is too strong, and there are too many places for his acting skills. What impressed him the most was that Crazy Joey offended him. He was very annoyed. He looked at Frank without saying a word, but there was a death order in his eyes, and Joey must die.

Frank is a bad word, and Robert De Niro acted very well with his eyes. Russell announced that Hoffa had offended the bottom line of the gang. Frank went to persuade Hoffa not to listen. When Hoffa went to dance with Frank’s daughter after talking about Hoffa, Frank stood Among the dancing crowd, standing upright, his eyes were extremely sad, and the dancing lights occasionally swept across, and for a moment the ice blue of his eyes appeared.

As the contradictions between the gang and Hoffa continued to grow, dissatisfaction with him became more and more serious. In the process of finally giving the order to kill, Frank kept spreading messages between the two, but he was always unable to convince Hoffa, and his eyes became more and more sad. . Frank's eyes when Russell announced the death order of Hoffa in the kitchen; Frank's eyes when Russell asked Frank to fly to execute him at breakfast; Frank's eyes when he was on the plane; Frank's eyes in the car that was going to induce Hoffa The look in Frank's eyes; Frank's look in his eyes when he called to comfort his wife Hoffa after shooting his best friends and his family.

Hoffa is the kind of extremely extroverted character that Pacino is best at. He is extremely infectious when speaking, terrible when he gets angry, is very kind when teasing children, and is extremely affectionate with his identified friends. He misjudged Frank. He thought Frank, who had been with each other for many years, had a good family relationship, and helped the chairman of the regional trade union by himself, was a good friend, a trade union member, and someone on his side. But in fact it is not. Frank was shaped and cultivated by Russell. Although he is Irish and not Italian, he is also an important high-level mafia. Compared to a trade unionist, he is a mafia. When the conflicts between the two sides are irreconcilable , He can only choose Russell, he knows the power of the gang. In the face of capital and power, violence is stronger and more dominant.

Pacino was the most impressed. At the Frank Prize-winning meeting, Hoffa talked to Russell and then Frank. His eyes are bright, his hands clenched fists close in front of him, his tone is firm, it is my union, this is my union, you will be nothing as soon as you retire. Also, when I finally entered the house and saw the empty room, Hoffa felt wrong, and immediately pulled Frank around to go out, and called Frank's name. . However, Frank had already pulled out his gun when he entered the door, and had been standing behind him waiting for an opportunity. .

The triple narrative structure and the main timeline promote the atmosphere. After the awards ceremony, the main timeline of introducing the previous situation and driving to the wedding has been merged. It is here that the audience understands the plot of this road trip. The great sorrow and despair in Frank's heart came upon his face.

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Extended Reading
  • Ethyl 2022-03-22 09:01:18

    The three old dramas are already a luxury. Cinema is probably like this. It doesn't need everyone to understand it, but those who can see it will free up a piece of soil in their hearts to plant it. And "The Irishman" also invented a new racially discriminatory term "you people!!!" Question: How many times did Jimmy Hoffa, played by Al Pacino, scolded "Grandson of the Tortoise".

  • Bethany 2022-03-21 09:01:21

    The pace of the elderly, chatting slowly, driving, killing, thinking about things.

The Irishman quotes

  • Russell Bufalino: Listen, Frank. Things have gotten out of hand with our friend again. And some people are having serious problems with him. And it's at a point where you're gonna have to talk to him and tell him: It's what it is.

    Frank Sheeran: What it is.

    Russell Bufalino: Yeah it's what they want. It's where it's gotten. You're close to him. Maybe he'll listen to you.

    Frank Sheeran: You know, I talk to him. He's a tough guy to talk to, you know that.

    Russell Bufalino: He has no choice. He has no choice. He's in the higher ups.

    Frank Sheeran: Well he's in the higher ups too.

    Russell Bufalino: Not like this. Come on Frank, you know.

    Russell Bufalino: [leans in] If they can whack a president, they can whack the president of a union. You know it and I know it.

    Frank Sheeran: [sighs] You know I talk to this guy. I talk to him and talk to him. But he's gotta listen now. He's... a fuckin' knucklehead.

  • Jimmy Hoffa: I like to talk. That's what I am. That's who I am. And that's what I'm gonna do.

    Fat Tony Salerno: [in the next scene] He said that?

    Frank Sheeran: In so many words...