This time, Rohmer set a non-high-quality man to compare with a high-quality man, although classic but a bit rustic
Sadness does not necessarily have to be reflected in facial expressions, but can also be expressed in seemingly innocuous words and behaviors. Rohmer has always been a master, and his language has always been subtle.
Elegance is not something that can be pretended to be (fell asleep while reading a book when encountering a rival in love). Rohmer-style humor, night shift post office worker, hardship is only an appearance, causing hardship and inability to express elegance In fact, it reflects the inner inevitability
François, who doesn't like a woman's physique, despite his struggles, will eventually become just a passerby, saying that this is a comedy, but I feel deeply sad. It is in the good years of youth, but Luohua intentionally follows the flowing water, and the flowing water loves Luohua unintentionally
Anna, sensual, consciously awake. Some people are destined to become the ideal object of others, but this is also a burden, François is not her spare tire, just a casual nothingness, but after nothingness is heavy, they become mutual heavyness
Lucy, at the age of play, is the time when everyone can dance, and the spring breeze is proud of her horses. It can only be said that Francois met her when he needed to seek the truth, and it could only be said that it was his bad luck, or it could be said that it was inevitable caused by his psychological deviation.
Tracking rivals or not, what does it reflect? For François, it was just an impulse, released (by chatting) and then relieved; for Anna, it might be an obscene act of love, wishing to be far away and alone. love you, nothing to do with you
Marriage, husband and wife relationship, cohabitation, this bunch of things have a definition (conclusion) in the secular world, but I don’t know what it can represent in the human spiritual world
Francois, if you are serious, you will lose. Although tradition can represent virtues, it also has defects, but it cannot hide loneliness and disappointment.
Anna believes that distance produces beauty. For her, if love is a responsibility, it is a shackle. The absolute separation of marriage and soulmate is an unattainable realm
A question comes to mind: Is the sentiment that Rohmer is good at expressing only in the 1980s? What would it be like today, or in a foreign country?
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