After watching Lurk 1 and Lurk 2, talk about my understanding of the plot

Arielle 2022-03-15 09:01:04

Read the latent 1 and 2 to talk about my understanding! When Pike was a child, he was asked by his perverted mother to live in the way of a girl, which caused him to be distorted and afraid of his mother since he was a child. When he was about to die, Josh's mother took Josh to the hospital. He found that Josh had a psychic constitution, So he wanted to possess Josh's body to be reborn. After committing suicide by jumping off the building, the soul has been following Josh waiting for an opportunity to occupy his body. Just when he was about to succeed, he was stopped by the young psychic Alice, but it has been lurking around Josh. . When Josh retrieved his out-of-body memory to save his son, the little boy he met in the dark who showed him the way was his out-of-body self when he was a child. The place he pointed was the house they used to live in. The place where Pike's memory of his mother was found in Hidden 2 is also the house. The house used to be Pike and his mother's house. There have been many batches of owners in it, and all of them were possessed by Pike or his mother and killed them all. , and Josh is just one of them. The bride he met in the house was Parker, a young women's clothing tycoon, crying because he didn't want to kill, his mother forced him to kill and more than once, when he rescued his son and went back from the back door, what he saw in the mirror was the old man The women's clothing boss Parker, because Josh saw this Parker when he was out of his body when he was a child, and now that his memory is restored, he knows what he is going to do, so he has been telling him to get away, it has been decades, maybe Parker doesn't want to occupy it anymore. Josh got his body, but Josh's attitude annoyed him, and then he went to occupy Josh's body. Strangled her after being found by the psychic Alice. . Insidious 2 is not so much the rescue of Josh as it is a complete exposition of the past and present of Lurker Pike. To understand the logic of some of the plots in the second part, you need a setting, that is, the time in Beida is like a sliding ruler. Feel free to swipe back and forth on this scale. . Josh in Pedal In the past time, when he saw a ghost who wanted to occupy his son's body or persecute his family, he stopped it, and there were some plots in Lurk 1, such as playing the piano and breaking into the door. , driving away the ghost who wanted to kill his youngest son, and back when he was a kid and was photographed in the same frame with Pike, which makes it hard to understand that there will be two real Joshes, one is human and the other is Ghosts are actually very easy to understand. There is no paradox. There can only be one real body in a world. They are in two different worlds. What will happen when we meet? The answer is not to meet. When Josh is out of the body, Josh in Petal will be forced to return to the starting point of time relative to him, that is, the time when Josh was out of the body, and then walk in time again, if he If he does not go back to the past time, then he is synchronized with the real time, and he will reach the ending of Lurk 2. At the end of Latent 2, the time when Josh and his party went is also the time before, maybe it was the time when Pike was not close to Josh! He smashed his mother to death before his mother gave Pike an order, causing him to lose this memory, and was pulled back to the other side. That's all I understand! The rest are not easy to understand, mainly because the plots of 1 and 2 have to be connected to understand.

View more about Insidious: Chapter 2 reviews

Extended Reading

Insidious: Chapter 2 quotes

  • [first lines]

    Young Elise Rainier: Hi. I'm Elise. You must be Lorraine.

    Young Lorraine: Yes. Nice to meet you. I'm sorry it's so late. My day job kind of makes raising my son a night job.

    Young Elise Rainier: Don't worry about it. In my line of work, things tend to happen when it gets dark.

  • [last lines]

    Elise Rainier: [startled] Oh, my God!