Some of the sense of tranquility comes from the customs and customs of unknown Italian towns, a bit of a symbol of primitive totems, dry flying dust, swarms of wild bees, and clay sculptures and naked people everywhere. Sunbathing by the green pool. And the people who live there accept this mysterious beauty with a familiar calm, making LIV nervous and throbbing for the first time.
If Liv wasn't so lanky, her beauty instantly relegated to worldly beauty. Of course, there is nothing wrong with the beauty of the world, but it always lacks the curiosity that makes people look at it again and again.
With long hands, long feet, long face, long hair and long ears, it doesn't mean to go with the crowd. Clothes are mainly silk dresses, sometimes silk long men's shirts, with two long legs exposed, sometimes floral crepe skirts with low-top sneakers, bare feet. A cigarette or a pen of the same length is added, and it means something completely different.
If this outfit is changed to another place, such as a modern city or something, it will be a bit self-proclaimed or pretentious, but in a dusty place full of olive trees and cosmos, it blends well. The people there are wandering gypsies who are good at dancing and singing. They have inherited the characteristics of artists and designers. The walls and wooden stakes are all drawing boards for painting. Without TV, their house can be seen from the window at a glance. The bathtub is in the bedroom.
I don't know if somewhere in Italy there is such a strange color block. Behind the tiring rolling hills and trees, where can I see a glass-covered flower house, with some broad-leaved plants in thick lines, and even the floor is made of glass. And that is just an entrance to the whole art.
Innocent and philistine have so many conflicts in the movie. Death, Family Lost and Found, and Something Planted Near Love have been staged there. It is a complete experience for a girl to grow up.
But the artistic technique of the film impressed me far more than the theme, and the director should think so too. Stealing Beauty is his ode to beauty, and this kind of soft and thin beauty is also gentle and light to stage the stealing skills without any traces. In the end, it was fatal enough to make people fall to their knees to settle down.
The psychedelic and low-pitched electronic sounds and jazz fingers stroked the contours of the Italian man's high nose from beginning to end, making people feel that the human body is also art and musical notes under the director's hands.
You can always find such people in the crowd. They are uniformly thin to the extreme. They don't have amazing looks and smiles that can drown their entire cheeks at any time, but they have amazing habits and amazing expressions.
If you're sure they're not pretending, then maybe they're called Stealing Beauty.
Those are habits and expressions that clearly bear the sadness of the years, the personal temperament and the impressive, for example, the verse that Liv wrote in the corner of the book, just a few lines, and then tore it out and clipped it in another book. , burned, or drifted away with the wind.
I don't think Bertolucci has ever let me down, be it Dreamer or Stealing Beauty. He showed some respect for women, and the women he created were confused, including the relationship between the sexes and the thinking of freedom as a woman. But he didn't push them into a clichéd situation, his women were born with insight and ideas, and in the end, even if their ending was ambiguous in the movie, he at least always had respect and hope. .
Maybe the shocking female beauty really exists in a man's eyes, with the growing wrinkles at the corners of their eyes, the inadvertent gestures of smoking, and the secrets in them that they haven't even discovered themselves, if they say it, don't they want them All startled.
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