You are a person and a person

Precious 2022-03-01 08:01:34

Milos Foreman has a strong grasp of historical biopics. "Goya's Ghosts" (Goya's Ghosts) is about the early 19th century, in the era of Spanish autocracy, the church was extremely powerful, and then, France experienced the Great Revolution, and Napoleon led an army to invade Spain. Spain was in chaos, but the Spanish people did not rise up to change their country. Instead, they drove the French back to the other side of the Pyrenees. Church power was restored again. That's the big background of the movie. His content, however, tells the story of a small person. The famous painter Goya actually thread the needle. Lorenzo is a typical manipulative manipulator, just like Zweig's "Joseph Fouche", and Elise is an ordinary woman, but she has an amazing beauty, Be the inspiration for Goya's creations. Lorenzo, dissatisfied with Goya's disturbing paintings, imprisoned Elis in the sanctuary on charges of weaving, and later raped her, causing her to give birth to a daughter in the concentration camp-like sanctuary. Elise's father, a wealthy businessman, forced Lorenzo to write a bond in order to rescue his daughter. As a result, the church not only did not release Elise, but instead pursued Lorenzo. Lowe fled to France, where he transformed himself, married and had children, and became a republican. Following the French army, he returned to Spain and became a powerful figure. The French came and the sanctuary was opened. After decades of darkness, Elise was released, and her whole body was completely distorted. When I got home, my family had all been killed. So, she went to Goya's house. Start telling her story. She only has her own daughter in her heart, and the "love" between herself and Lorenzo. However, in war-torn Spain, Elise's daughter became a street prostitute. The story continues, and at the end, the director will explain them one by one.

In the midst of the turmoil, you were caught off guard, and the invisible and huge hand of fate grabbed you, and then smashed to pieces. Some people can't figure out what's going on in life all their lives, and some people have no chance to think about it at all. Some people struggle not to remember, while others struggle to resist forgetting. I haven't had the urge to cry after watching the movie for a long time, but in the second half of the movie, there were still a few times when I couldn't help but burst into tears. Not for someone's fate, but for the fate of people.

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Extended Reading

Goya's Ghosts quotes

  • Inés: [model pointing at defaced portrait] Why doesn't that painting have a face?

    Goya: Because he is a ghost.

    Inés: No, he is not.

    Goya: Have you ever seen a ghost?

    Inés: No. But I have seen a witch.

    Goya: Oh, did you?

    Inés: Yes, but she had a face.

    Goya: So what did she look like?

    Inés: She was... all bent and creepy, and she...

    [whispers:]

    Inés: stank.

    [makes disparaging sound]

    Goya: That's interesting, because the witch that I know, she's... she's young, very lovely, and she smells of jasmine.

    Inés: [smiles] She does?

    Goya: She does. And I'm working on her portrait... right now.

    Inés: [smiles as it dawns on her what he means] I'm no witch!

    Goya: [chuckles] How do you know?

  • Tomás Bilbatúa: [worried father, to his young daughter] You have received a summons from the Holy Office.

    [she sits down]

    Tomás Bilbatúa: Do you have any idea what it might be about?

    Inés: No...

    Tomás Bilbatúa: Where did you go with your brothers last night?

    Inés: The tavern.

    [shakes her head]

    Tomás Bilbatúa: Think. Did you say something sacrilegious?

    Inés: [shakes her head] No.

    Tomás Bilbatúa: [to his two sons] Was there an incident or something they could hold against her?

    Álvaro Bilbatúa: She kissed the feet of a dwarf.

    [Inés sticks her tongue out at him]

    Tomás Bilbatúa: [to his daughter] You did?

    Álvaro Bilbatúa: She did.

    [his mother scoffs]

    Inés: Everyone did.

    Ángel Bilbatúa: You know... they can summon her just to... testify against someone else.

    María Isabel Bilbatúa: [hoarsely] Someone else?

    Inés: Is there someone you know they might be interested in?

    Inés: I don't know.

    [shakes her head]

    Inés: No.