such as psychology

Alexandrine 2022-03-15 09:01:02

It should be the previous Hannibal, except for the latest teenager Hannibal. It is also the last step in the first three parts. Compared with the previous two films, it can be said that it is a theoretical breakthrough, at least out of the influence of Jodie Foster. The content also convinces everyone about a captured Hannibal. Although the whole story frame still returns to the original silent lambs.

These are not the point, the movie returns more to the psychological discussion in Silence of the Lambs. In the discussions between Anthony Hopkins and Edward Norton, the repeated fears, from Dr. Hannibal to Graham to the killer - the director didn't want to flatten him, but were still a little thin. And when Hannibal told Graham to get over his fears, I think there's a real psychology at the beginning, or that's the core of Hannibal, that's really about people, your own -- psychology -- not so-called outside the box, from From analysis to analysis, it is only about self-knowledge.

Obviously, your own strength is always not enough. In the movie, what you need is courage to yourself, to be brave enough to use your reason - like Kant's words, but the real core should be attributed to people themselves Care. Beginning with a concern for the body, the film's recurring themes, without discussing insanity, irrationality, and rational incarceration or outbursts—perhaps Hannibal is a hero of rebellion? But when Hannibal says fear to Graham, I teach you to get over it. Humanism is unmistakable. Scientifically, it may not be right at all—under the usual moral sciences—Hannibal's methods and content are anti-moral, but what about Graham's real science.

So, here, the image or symbol of the Silence of the Lambs appears again.

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Extended Reading
  • Antonette 2021-10-21 15:30:23

    I rub, it turns out that the killer in the red dragon is the same person as Voldemort. . . . . .

  • Eldora 2022-03-22 09:01:15

    Even if the overall narrative is gradual, the rhythm is relaxed, and the logic of mental warfare is rigorous and meticulous, it can't match the sparks of the three big dramas in the same scene. The actors' unhurried acting brilliance completely overshadowed the story itself. Anthony, Norton, and Ralph are all powerful actors with temperament and charm. They exude a breathtaking aura, each with their unique on-screen charm and dripping acting skills. Focusing the audience's eyes on them, the play was sad. Three-in-one is undoubtedly a magnificent ace card. Even in the face of such a prestigious cast, I still like Red Dragon's script, and the ripples that have made me have endless aftertastes. Treating the three of them, even if I was picky, I couldn't find the slightest thorn in it. Norton’s will is blond, blue-eyed, calm, arrogant and courageous, and the fortitude and fragility in his eyes are intertwined with each other. These are just as cute as Hannibal’s previous cat-and-mouse games, under the iceberg. Undercurrent surging sexual tension, deep and tense ♂ communication is more exciting than real GV

Red Dragon quotes

  • Will Graham: He's not collecting body parts. He's eating them.

  • Dr. Frederick Chilton: Tell me, when you saw Lecter's murders, their style, so to speak, were you able perhaps to reconstruct his fantasies? And, if so, did you jot down any impressions?

    Will Graham: No.

    Dr. Frederick Chilton: Let me be frank, Mr. Graham. The first definitive analysis of Lecter will be a publisher's wet dream. I'd give you full credit, of course

    [Graham towards cell door]

    Dr. Frederick Chilton: Dammit, man, you must have some advice. You caught him. What was your trick?

    Will Graham: I let him kill me.