In a peaceful and prosperous world, what would the ideal (if any) love look like? It is not only necessary to cooperate with external conditions, but also to pay attention to spiritual communication. The reason why Julie Deply and Ethan Hawke's "Before Sunrise" and "Before Sunset" (Before Sunset), separated by nine years, have become classics in some people's minds, it is because of the closeness between male and female. Perfect mind synchronization. Synchronized, synchronised. Just like the information on the computer and the electronic handbook, it is in duplicate and completely matched. Nine years have passed, we have grown up with each other, and each has his own story, but we took out the X-rays of our hearts to compare them once, and they were still the same. The stories that were too beautiful, too romantic, and too ideal have become classics. Julie Deply started out as a girl, now she's a full-fledged French woman. She wrote, directed and starred in "2 Days in Paris" (2 Days in Paris), dragging American men to walk the streets of Huadu, and everyone naturally expects her to continue the leading edge of "Sunrise and Sunset". Pearl jade is the burden of successor. Julie Deply is smart enough to use the promotional elements of her two successful predecessors without intending to tell a similar story. In order to avoid direct comparison, the situation of the story is just the opposite. The hero and heroine are not met for the first time or reunited after a long absence, but a couple who have lived together for two years. With Julie Deply's voice-over opening remarks: "Today, two years are quite a long time." To put it bluntly, it means that the relationship has reached a critical point again, and it may end up breaking up again. In the real scene of Paris, people are full of French dialogue, but the style is popular and noisy. It is best not to enter the audience with the mood of watching romantic literary films. A lot of dirty jokes, exaggerated interpretations, as long as you don't mistake it for French style, it's irrelevant. But if your significant other is old-fashioned or innocent, it's best not to take her/him to see this movie. Cultural influence, family background, and even personal experience can make a pair of exotic lovers unable to synchronize. Comparing the contents of each other's data, it is found that they are completely different. Women think it's funny, men think they're made fun of; men think women are emotionally out of control, women think they are the most calm and rational. Julie Deply once participated in the work of writing the script with Ethan Hawke in "Sunset Paris" (the dialogue is too long, it's not because I have a part to write it), "Paris Love Roaming" is the second feature film she directed ( The debut is "Looking for Jimmy"), it can be regarded as rich and funny, and there are many wonderful sentences, but it is a little loose when put together. Like many "writer-directors," Julie Deply seems overly concerned that what she's trying to convey isn't clear enough, and uses a little too much off-screen monologue. In fact, she is an excellent actor after all, and she looks the best when she plays the role, and her French scenes with her French compatriots are obviously more impressive than her American counterparts with Adam Goldberg. Among them, she is the most attractive. There are two rage scenes that are remarkable, one where the protagonists meet a racist taxi driver who disdains anyone who is not French, and Julie Deply, who is not discriminated against, listens to the savagery of the driver Unable to hold back the argument, he immediately attacked in the car: "I'm not afraid of you, you racist, because this is France!" In another scene, Julie Deply met her "other" old lover. The first time she saw her old lover, she was ready to scold her. The audience initially thought it was the heroine who was unwilling to be abandoned that day, but after looking at it, she realized that this handsome and handsome ex-boyfriend turned out to be a scum who would go to Southeast Asia to play with children. . In the face of right and wrong, Marion, played by Julie Deply, will not shy away from the situation and denounce it. Naturally, the boyfriend who doesn't speak French can't synchronize with Marion in real time, watching the chaotic scene, only scared. However, I think Julie Deply is the most respectable and lovely when she loses her demeanor and curses. "I will find my only soul mate in the vast sea of people. If I get it, I am lucky; if I don't, I will die," the poet said. "Sunrise and Sunset" is about the lucky stories of finding each other's soul mates, whose souls have long been synchronised. "Love Roaming Paris" tells the story of the less fortunate mortals, the one that you and I encounter most often: you love your partner, but you are out of sync with your partner, or you can't find it at all A partner in sync, so you have jealousy, suspicion, grudges, blame, so you probably have to break up every few years (or months). Faced with the harsh reality, what can you do? Julie Deply's off-screen monologue says the hero and heroine end up facing off in the room for four hours. That painful confrontation is actually the "sync button" between the computer and the electronic wallet. because out of sync (not synchronised), so synchronising is required. Because you and I will change, the "sync button" will be pressed for a long time.
View more about Two Days in Paris reviews