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Unfocused film
Chelsea 2022-03-16 09:01:02
Quentin is one of the directors most popular with the "literary youth" and pretenders in the new era. His violent aesthetics and weird handling of the film are also deeply rooted in the hearts of the people. But after watching this film, I didn't think about 46, and I didn't understand what the film wanted to say, because it was so ordinary and procrastinating. It's just a simple scam, it has to be so complicated. There is not much clue in the plot, shooting skills and so on. Such a gangster story, if it is not to show any deep meaning, it must be made cool, but the film is really unreliable. After watching it, I only feel that it is a low-cost third-rate work, and it is completely unworthy of Quentin’s work. Reputation.
Extended Reading
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Sonia 2022-04-24 07:01:02
I don't like Quentin who is so gentle and calm. Compared with the other films, there are less wanton playful mentality and violence, and more regular plots. Even if there are dense pop music to help, the structure is destined to not give people a vivid and incisive impression.
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Harmony 2022-03-20 09:01:14
It was only today that I discovered that there was another Quentin that I hadn't watched. . . . . . Generally speaking, the first half is trivial, and the second half is gradually getting better, mainly because it is too long. It took two and a half hours to compare things like this. The hero of De Niro I, has played countless gangster brothers, and he really played a stupid here.
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Ordell Robbie: Look here, look here, look here. I tell you what - when we get through fuckin' with these Koreans, me and you go to Roscoe's Chicken and Waffles on me. Think about it now. That 'Scoe's Special, smothered in gravy and onions, side of red beans and rice, some greens. That's some good eatin'.
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Simone: [picks up the ringing phone] Hello. Oh, hello, baby. Well, you know, I'm just doin' that thing I do, baby.
[laughs]