, Kitano Takeshi is still so surging, powerful, admired, and admired!
Still in the style of Takeshi Kitano, there is everything in a Takeshi movie in general, gunfights, gangsters, women, frustrated little people, indifference, splits... The timeline is shattered, the intertwining of the prophecy and the realized , which is very similar to '3-4 × October'. In the play, Kitano Takeshi is split into two people, one is a high-ranking director who is surrounded and taken care of by people, and the other is a down-and-out young actor who goes to hopeless interviews while working in the supermarket. Those who appeared around were just those few faces, the only difference was their identities. The lives and dreams of the two Kitano Takeshi are three-dimensionally intertwined, as if in a labyrinth of mirrors, with mirrors placed at different angles everywhere, mirroring each other and making it impossible to identify.
He dreamed that he became a taxi driver, driving a pink taxi, carrying two fat men and a little boy playing kabuki and his manager, struggling to move forward on the road full of dead people... This paragraph is too It's high, and it hurts. People are always crowded into small spaces, hoping to be taken to where they want to go, and they have to roll over countless corpses along the way... But in the end, the pink car still fell into a deep valley.
And Takeshi Kitano, cold humor. The film begins with him lying among the dead Japanese soldiers, with an American soldier pointing a gun at his head. This is the beginning of his first film, Oshima's "Merry X'mas, Mr Lawrence". This is undoubtedly another doubt thrown to the audience, the third interlace, the real Takeshi Kitano, and Takeshi Kitano in "Double-faced Takeshi Kitano". He said this was his summary...
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